I stanched with some fragments of my garment the wounds that he had received, and laying him gently by the stairs--in the moonlight, so that I might see him when he moved--I groped in the shadow of the wall for my first murdered and my last born; for that youngest and fairest one of my offspring whom they had slaughtered before my eyes! When I touched the corpse, it was wet with blood; I felt its face, and it was cold beneath my hands; I raised its body in my arms, and its limbs already were rigid in death! Then I thought of the eldest child, who lay dead in the chamber above. But my strength was failing me fast. I had an infant who might yet be preserved; and I knew that if morning dawned on me in the house, all chances of escape were lost for ever. So, though my heart was cold within me at leaving my child's corpse to the mercy of the Romans, I took up the dead and the wounded one in my arms, and went forth into the garden, and thence towards the seaward quarter of the town.
'I passed through the forsaken streets. Sometimes I stumbled against the body of a child--sometimes the moonlight showed me the death-pale face of some woman of my nation whom I had loved, stretched upward to the sky; but I still advanced until I gained the wall of the town, and heard on the other side the waters of the river running onward to the Port of Aquileia and the sea.
'I looked around. The gates I knew were guarded and closed. By the wall was the only prospect of escape; but its top was high and its sides were smooth when I felt them with my hands. Despairing and wearied, I laid my burdens down where they were hidden by the shade, and walked forward a few paces, for to remain still was a torment that I could not endure. At a short distance I saw a soldier sleeping against the wall of a house. By his side was a ladder placed against the window. As I looked up I beheld the head of a corpse resting on its top. The victim must have been lately slain, for her blood still dripped slowly down into an empty wine-pot that stood within the soldier's reach. When I saw the ladder, hope revived within me. I removed it to the wall--I mounted, and laid my dead child on the great stones at its top--I returned, and placed my wounded boy by the corpse. Slowly, and with many efforts, I dragged the ladder upwards, until from its own weight one end fell to the ground on the other side. As I had risen so I descended. In the sand of the river-bank I scraped a hole, and buried there the corpse of the infant; for I could carry the weight of two no longer. Then with my wounded child I reached some caverns that lay onward near the seashore. There throughout the next day I lay hidden-- alone with my sufferings of body and my affliction of heart--until the night came on, when I set forth on my journey to the mountains; for I knew that at Aemona, in the camp of the warriors of my people, lay the only refuge that was left to me on earth. Feebly and slowly, hiding by day an d travelling by night, I kept on my way until I gained that lake among the rocks, where the guards of the army came forward and rescued me from death.'
She ceased. Throughout the latter portion of her narrative her demeanour had been calm and sad; and as she dwelt, with the painful industry of grief, over each minute circumstance connected with the bereavements she had sustained, her voice softened to those accents of quiet mournfulness, which make impressive the most simple words, and render musical the most unsteady tones. It seemed as if those tenderer and kinder emotions, which the attractions of her offspring had once generated in her character, had at the bidding of memory become revivified in her manner while she lingered over the recital of their deaths. For a brief space of time she looked fixedly and anxiously upon the countenance of Hermanric, which was half averted from her, and expressed a fierce and revengeful gloom that sat unnaturally on it noble lineaments. Then turning from him, she buried her face in her hands, and made no effort more to attract him to attention or incite him to reply.
This solemn silence kept by the bereaved woman and the brooding man had lasted but a few minutes, when a harsh, trembling voice was heard from the top of the waggon, calling at intervals, 'Hermanric! Hermanric!'
At first the young man remained unmoved by those discordant and repulsive tones. They repeated his name, however, so often and so perseveringly, that he noticed them ere long; and rising suddenly, as if impatient of the interruption, advanced towards the side of the waggon from which the mysterious summons appeared to come.
As he looked up towards the vehicle the voice ceased, and he saw that the old woman to whom he had confided the child was the person who had called him so hurriedly but a few moments before. Her tottering body, clothed in bear-skins, was bent forward over a large triangular shield of polished brass, on which she leant her lank, shrivelled arms. Her head shook with a tremulous, palsied action; a leer, half smile, half grimace, distended her withered lips and lightened her sunken eyes. Sinister, cringing, repulsive; her face livid with the reflection from the weapon that was her support, and her figure scarcely human in the rugged garments that encompassed its gaunt proportions, she seemed a deformity set up by evil spirits to mock the majesty of the human form-- an embodied satire on all that is most deplorable in infirmity and most disgusting in age.
The instant she discerned Hermanric, she stretched her body out still farther over the shield; and pointing to the interior of the waggon, muttered softly that one fearful and expressive word--dead!
Without waiting for any further explanation, the young Goth mounted the vehicle, and gaining the old woman's side, saw stretched on her collection of herbs--beautiful in the sublime and melancholy stillness of death--the corpse of Goisvintha's last child.
'Is Hermanric wroth?' whined the hag, quailing before the steady, rebuking glance of the young man. 'When I said that Brunechild was greater than Hermanric, I lied. It is Hermanric that is most powerful! See, the dressings were placed on the wounds; and, though the child has died, shall not the treasures that were promised me be mine? I have done what I could, but my cunning begins to desert me, for I am old-- old--old! I have seen my generation pass away! Aha! I am old, Hermanric, I am old!'
When the young warrior looked on the child, he saw that the hag had spoken truth, and that the victim had died from no fault of hers. Pale and serene, the countenance of the boy showed how tranquil had been his death. The dressings had been skilfully composed and carefully applied to his wounds, but suffering and privation had annihilated the feebleness of human resistance in their march toward the last dread goal, and the treachery of Imperial Rome had once more triumphed as was its wont, and triumphed over a child!
As Hermanric descended with the corpse Goisvintha was the first object that met his eyes when he alighted on the ground. The mother received from him the lifeless burden without an exclamation or a tear. That emanation from her former and kinder self which had been produced by the closing recital of her sufferings was henceforth, at the signal of her last child's death, extinguished in her for ever!
'His wounds had crippled him,' said the young man gloomily. 'He could never have fought with the warriors! Our ancestors slew themselves when they were no longer vigorous for the fight. It is better that he has died!'
'Vengeance!' gasped Goisvintha, pressing up closely to his side. 'We will have vengeance for the massacre of Aquileia! When blood is streaming in the palaces of Rome, remember my murdered children, and hasten not to sheathe thy sword!'
At this instant, as if to rouse still further the fierce determination that appeared already in the face of the young Goth, the voice of Alaric was heard commanding the army to advance.