Antonina (The Fall of Rome)

Wilkie Collins


Antonina (The Fall of Rome) Page 102

Such was the being to whose will, by a mysterious fatality, the father and child were now submitted; such the existence--solitary, hopeless, loathsome--of their stern and wily betrayer of other days!

Since he had ceased speaking, the cold, death-like grasp of his hand had gradually strengthened, and he had begun to look slowly and inquiringly round him from side to side. Had this change marked the approaching return of his raving paroxysm, the lives of Numerian and Antonina would have been sacrificed the next moment; but all that it now denoted was the quickening of the lofty and obscure ideas of celebrity and success, of priestly honour and influence, of the splendour and glory of the gods, which had prompted his last words.

He moved suddenly, and drew the victims of his dangerous caprice a few steps farther into the interior of the temple; then led them close up to the lofty pile of objects which had first attracted Numerian's eyes on entering the building. 'Kneel and adore!' cried the madman fiercely, replacing his hands on their shoulders and pressing them to the ground--'You stand before the gods, in the presence of their high priest!'

The girl's head sank forward, and she hid her face in her hands; but her father looked up tremblingly at the pile. His eyes had insensibly become more accustomed to the dim light of the temple, and he now saw more distinctly the objects composing the mass that rose above him.

Hundreds of images of the gods, in gold, silver, and wood--many in the latter material being larger than life; canopies, vestments, furniture, utensils, all of ancient Pagan form, were heaped together, without order or arrangement, on the floor, to a height of full fifteen feet.

There was something at once hideous and grotesque in the appearance of the pile. The monstrous figures of the idols, with their rude carved draperies and symbolic weapons, lay in every wild variety of position, and presented every startling eccentricity of line, more especially towards the higher portions of the mass, where they had evidently been flung up from the ground by the hand that had raised the structure.

The draperies mixed among the images and the furniture were here coiled serpent-like around them, and there hung down towards the ground, waving slow and solemn in the breezes that wound through the temple doorway. The smaller objects of gold and silver, scattered irregularly over the mass, shone out from it like gleaming eyes; while the pile itself, seen in such a place under a dusky light, looked like some vast, misshapen monster--the gloomy embodiment of the bloodiest superstitions of Paganism, the growth of damp airs and teeming ruin, of shadow and darkness, of accursed and infected solitude!

Even in its position, as well as in the objects of which it was composed, the pile wore an ominous and startling aspect; its crooked outline, expanding towards the top, was bent over fearfully in the direction of the doorway; it seemed as if a single hand might sway it in its uncertain balance, and hurl it instantly in one solid mass to the floor.

Many toilsome hours had passed away, long secret labour had been expended in the erection of this weird and tottering structure; but it was all the work of one hand. Night after night had the Pagan entered the deserted temples in the surrounding streets, and pillaged them of their contents to enrich his favoured shrine: the removal of the idols from their appointed places, which would have been sacrilege in any meaner man, was in his eyes the dread privilege of the high priest alone.

He had borne heavy burdens, and torn asunder strong fastenings, and journeyed and journeyed again for hours together over the same gloomy streets, without loitering in his task; he had raised treasures and images one above another; he had strengthened the base and heightened the summit of this precious and sacred heap; he had repaired and rebuilt, whenever it crumbled and fell, this new Babel that he longed to rear to the Olympus of the temple roof, with a resolute patience and perseverance that no failure or fatigue could overcome.

It was the dearest purpose of his dreamy superstition to surround himself with innumerable deities, as well as to assemble innumerable worshippers; to make the sacred place of his habitation a mighty Pantheon, as well as a point of juncture for the scattered congregations of the Pagan world. This was the ambition in which his madness expanded to the fiercest fanaticism; and as he now stood erect with his captives beneath him, his glaring eyes looked awe-struck when he fixed them on his idols; he uplifted his arms in solemn, ecstatic triumph, and in low tones poured forth his invocations, wild, intermingled, and fragmentary, as the barbarous altar which his solitary exertions had reared.

Whatever was the effect on Numerian of his savage and confused ejaculations, they were unnoticed, even unheard, by Antonina; for now, while the madman's voice softened to an undertone, and while she hid all surrounding objects from her eyes, her senses were awakened to sounds in the temple which she had never remarked before.

The rapid current of the Tiber washed the foundation walls of one side of the building, within which the clear, lulling bubble of the water was audible with singular distinctness. But besides this another and a shriller sound caught the ear. On the summit of the temple roof still remained several rows of little gilt bells, originally placed there, partly with the intention of ornamenting this portion of the outer structure, partly in order that the noise they produced, when agitated by the wind, might scare birds from settling in their flight on the consecrated edifice. The sounds produced by these bells were silvery and high pitched; now, when the breeze was strong, they rang together merrily and continuously; now, when it fell, their notes were faint, separate, and irregular, almost plaintive in their pure metallic softness. But, however their tone might vary under the capricious influences of the wind, it seemed always wonderfully mingled within the temple with the low, eternal bubbling of the river, which filled up the slightest pauses in the pleasant chiming of the bells, and ever preserved its gentle and monotonous harmony just audible beneath them.

There was something in this quaint, unwonted combination of sounds, as they were heard in the vaulted interior of the little building, strangely simple, attractive, and spiritual; the longer they were listened to, the more completely did the mind lose the recollection of their real origin, and gradually shape out of them wilder and wilder fancies, until the bells as they rang their small peal seemed like happy voices of a heavenly stream, borne lightly onward on its airy bubbles, and ever rejoicing over the gliding current that murmured to them as it ran.

Spite of the peril of her position, and of the terror which still fixed her speechless and crouching on the ground, the effect on Antonina of the strange mingled music of the running water and the bells was powerful enough, when she first heard it, to suspend all her other emotions in a momentary wonder and doubt. She withdrew her hands from her face, and glanced round mechanically to the doorway, as if she imagined that the sounds proceeded from the street.

When she looked, the declining sun, gliding between two of the outer pillars which surrounded the temple, covered with a bright glow the smooth pavement before the entrance. A swarm of insects flew drowsily round and round in the warm mellow light; their faint monotonous humming deepened, rather than interrupted, the perfect silence prevailing over all things without.

But a change was soon destined to appear in the repose of the quiet, vacant scene; hardly a minute had elapsed while Antonina still looked on it before she saw stealing over the sunny pavement a dark shadow, the same shadow that she had last beheld when she stopped in her flight to look behind her in the empty street.

Wilkie Collins

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