Antonina (The Fall of Rome)

Wilkie Collins


Antonina (The Fall of Rome) Page 110

'I swore to be avenged! while the army encamped before Rome, and I stood with Hermanric, looking on the great walls in the misty evening; while the daughter of the Roman was a prisoner in our tent, and I eyed her as she lay on my knees; while for her sake my kinsman turned traitor, and withheld my hand from the blow; while I passed unseen into the lonely farm-house to deal judgment on him with my knife; while I saw him die the death of a deserter at my feet, and knew that it was a Roman who had lured him from his people, and blinded him to the righteousness of revenge.

'I swore to be avenged! while I walked round the grave of the chieftain who was the last of my race; while I stood alone out of the army of my people in the city of the slayers of my babes; while I tracked the footsteps of the Roman who had twice escaped me, as she fled through the street; while I watched and was patient among the pillars of the temple, and waited till the sun went down, and the victim was unshielded for the moment to strike.

'I swore to be avenged! and my oath has been fulfilled--the knife that still bleeds drops with her blood; the chief vengeance has been wreaked! The rest that were to be slain remain for others, and not for me! For now I go to my husband and my children; now the hour is near at hand when I shall herd with their spirits in the Twilight World of Shadows, and make my long-abiding place with them in the Valley of Eternal Repose! The Destinies have willed it--it is enough!'

Her voice trembled and grew faint as she pronounced the last words. The anguish of the fastenings at her wrists was at last overpowering her senses--conquering, in spite of all resistance, her stubborn endurance. For a little while yet she spoke at intervals, but her speech was fragmentary and incoherent. At one moment she still gloried in her revenge, at another she exulted in the fancied contemplation of the girl's body still lying before her, and her hands writhed beneath their bonds in the effort to repossess themselves of the knife and strike again. But soon all sounds ceased to proceed from her lips, save the loud, thick, irregular breathings, which showed that she was yet conscious and yet lived.

Meanwhile the madman had passed into the inner recess of the temple, and had drawn the shutter over the opening in the wall, through which light had been admitted into the place when Numerian and Antonina first entered it. Even the black chasm formed by the mouth of the vault of the dragon now disappeared, with all other objects, in the thick darkness. But no obscurity could confuse the senses of Ulpius in the temple, whose every corner he visited in his restless wanderings by night and by day alike. Led as if by a mysterious penetration of sight, he traced his way unerringly to the entrance of the vault, knelt down before it, and placing his hands on the first of the steps by which it was descended, listened, breathless and attentive, to the sounds that rose from the abyss--listened, rapt and unmoving, a formidable and unearthly figure--like a magician waiting for a voice from the oracles of Hell--like a spirit of Night looking down into the mid-caverns of the earth, and watching the mysteries of subterranean creation, the giant pulses of Action and Heat, which are the life-springs of the rolling world.

The fitful wind whistled up, wild and plaintive; the river chafed and bubbled through the iron grating below; the loose scales of the dragon clashed as the night breezes reached them: and these sounds were still to him as the language of his gods, which filled him with a fearful rapture, and inspired him, in the terrible degradation of his being, as with a new soul. He listened and listened yet. Fragments of wild fancies--the vain yearnings of the disinherited mind to recover its divine birthright of boundless thought--now thrilled through him, and held him still and speechless where he knelt.

But at length, through the gloomy silence of the recess, he heard the voice of Goisvintha raised once more, and in hoarse, wild tones calling aloud for light and help. The agony of pain and suspense, the awful sense of darkness and stillness, of solitary bondage and slow torment, had at last effected that which no open peril, no common menace of violent death could have produced. She yielded to fear and despair-- sank prostrate under a paralysing, superstitious dread. The misery that she had inflicted on others recoiled in retribution on herself, as she now shuddered under the consciousness of the first emotions of helpless terror that she had ever felt.

Ulpius instantly rose from the vault, and advanced straight through the darkness to the gates of the partition; but he passed his prisoner without stopping for an instant, and hastening into the outer apartment of the temple, began to grope over the floor for the knife which the woman had dropped when he bound her. He was laughing to himself once more, for the evil spirit was prompting him to a new project, tempting him to a pitiless refinement of cruelty and deceit.

He found the knife, and returning with it to Goisvintha, cut the rope that confined her wrists. Then she became silent when the first sharpness of her suffering was assuaged; he whispered softly in her ear, 'Follow me, and escape!'

Bewildered and daunted by the darkness and mystery around her, she vainly strained her eyes to look through the obscurity as Ulpius drew her on into the recess. He placed her at the mouth of the vault, and here she strove to speak; but low, inarticulate sounds alone proceeded from her powerless utterance. Still there was no light; still the burning, gnawing agony at her wrists (relieved but for an instant when the rope was cut) continued and increased; and still she felt the presence of the unseen being at her side, whom no darkness could blind, and who bound and loosed at his arbitrary will.

By nature fierce, resolute, and vindictive under injury, she was a terrible evidence of the debasing power of crime, as she now stood, enfeebled by the weight of her own avenging guilt, upraised to crush her in the hour of her pride; by the agency of Darkness, whose perils the innocent and the weak have been known to brave; by Suspense, whose agony they have resisted; by Pain, whose infliction they have endured in patience.

'Go down, far down the steep steps, and escape!' whispered the madman, in soft, beguiling tones. 'The darkness above leads to the light below! Go down, far down!'

He quitted his hold of her as he spoke. She hesitated, shuddered, and drew back; but again she was urged forward, and again she heard the whisper, 'The darkness above leads to the light below! Go down, far down!'

Despair gave the firmness to proceed, and dread the hope to escape. Her wounded arms trembled as she now stretched them out and felt for the walls of the vault on either side of her. The horror of death in utter darkness, from unseen hands, and the last longing aspiration to behold the light of heaven once more, were at their strongest within her as she began slowly and cautiously to tread the fatal stairs.

While she descended, the Pagan dropped into his former attitude at the month of the vault, and listened breathlessly. Minutes seemed to elapse between each step as she went lower and lower down. Suddenly he heard her pause, as if panic-stricken in the darkness, and her voice ascended to him, groaning, 'Light! light! oh, where is the light!' He rose up, and stretched out his hands to hurl her back if she should attempt to return; but she descended again. Twice he heard her heavy footfall on the steps--then there was an interval of deep silence--then a sharp, grinding clash of metal echoed piercingly through the vault, followed by the noise of a dull, heavy fall, faintly audible far beneath--and then the old familiar sounds of the place were heard again, and were not interrupted more. The sacrifice to the Dragon was achieved!

*****

The madman stood on the steps of the sacred building, and looked out on the street shining before him in the bright Italian moonlight.

Wilkie Collins

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