Antonina (The Fall of Rome)

Wilkie Collins


Antonina (The Fall of Rome) Page 116

She dwelt for a moment now on the name of Hermanric, on the grave in the farm-house garden; then reverted again to her father. The last feeble sounds she uttered were addressed to him; and their burden was still of consolation and of love.

Soon the old man, as he stooped over her, saw her eyes close again-- those innocent, gentle eyes which even yet preserved their old expression while the face grew wan and pale around them--and darkness and night sank down over his soul while he looked. 'She sleeps,' he murmured in a voice of awe, as he resumed his watching position by the side of the couch. 'They call death a sleep; but on her face there is no death!'

The night grew on. The women who were in attendance entered the room about midnight, wondering that their assistance had not yet been required. They beheld the solemn, unruffled composure on the girl's wasted face; the rapt attention of Numerian, as he ever preserved the same attitude by her side; and went out again softly without uttering a word, even in a whisper. There was something dread and impressive in the very appearance of this room, where Death, that destroys, was in mortal conflict with Youth and Beauty, that adorn, while the eyes of one old man watched in loneliness the awful progress of the strife.

Morning came, and still there was no change. Once, when the lamp that lit the room was fading out as the dawn appeared, Numerian had risen and looked close on his daughter's face--he thought at that moment that her features moved; but he saw that the flickering of the dying light on them had deceived him; the same stillness was over her. He placed his ear close to her lips for an instant, and then resumed his place, not stirring from it again. The slow current of his blood seemed to have come to a pause--he was waiting as a man waits with his head on the block ere the axe descends--as a mother waits to hear that the breath of life has entered her new-born child.

The sun rose bright in a cloudless sky. As the fresh, sharp air of the early dawn warmed under its spreading rays, the women entered the apartment again, and partly drew aside the curtain and shutter from the window. The beams of the new light fell fair and glorifying on the girl's face; the faint, calm breezed ruffled the lighter locks of her hair. Once this would have awakened her; but it did not disturb her now.

Soon after the voice of the child who sojourned with the women in the house was heard beneath, in the hall, through the half-opened door of the room. The little creature was slowly ascending the stairs, singing her faltering morning song to herself. She was preceded on her approach by a tame dove, bought at the provision market outside the walls, but preserved for the child as a pet and plaything by its mother. The bird fluttered, cooing, into the room, perched upon the head of the couch, and began dressing its feathers there. The women had caught the infection of the old man's enthralling suspense; and moved not to bid the child retire, or to take away the dove from its place--they watched like him. But the soft, lulling notes of the bird were powerless over the girl's ear, as the light sunbeam over her face--still she never woke.

The child entered, and pausing in her song, climbed on to the side of the couch. She held out one little hand for the dove to perch upon, placed the other lightly on Antonina's shoulder, and pressed her fresh, rosy lips to girl's faded cheek. 'I and my bird have come to make Antonina well this morning,' she said gravely.

The still, heavily-closed eyelids moved!--they quivered, opened, closed, then opened again. The eyes had a faint, dreaming, unconscious look; but Antonina lived! Antonina was awakened at last to another day on earth!

Her father's rigid, straining gaze still remained fixed upon her as at first, but on his countenance there was a blank, an absence of all appearance of sensation and life. The women, as they looked on Antonina and looked on him, began to weep; the child resumed very softly its morning song, now addressing it to the wounded girl and now to the dove.

At this moment Vetranio and the physician appeared on the scene. The latter advanced to the couch, removed the child from it, and examined Antonina intently. At length, partly addressing Numerian, partly speaking to himself, he said: 'She has slept long, deeply, without moving, almost without breathing--a sleep like death to all who looked on it.'

The old man spoke not in reply, but the women answered eagerly in the affirmative.

'She is saved,' pursued the physician, leisurely quitting the side of the couch and smiling on Vetranio; 'be careful of her for days and days to come.'

'Saved! saved!' echoed the child joyfully, setting the dove free in the room, and running to Numerian to climb on his knees. The father glanced down when the clear young voice sounded in his ear. The springs of joy, so long dried up in his heart, welled forth again as he saw the little hands raised towards him entreatingly; his grey head drooped--he wept.

At a sign from the physician the child was led from the room. The silence of deep and solemn emotion was preserved by all who remained; nothing was heard but the suppressed sobs of the old man, and the faint, retiring notes of the infant voice still singing its morning song. And now one word, joyfully reiterated again and again, made all the burden of the music--

'SAVED! SAVED!'

THE CONCLUSION. 'UBI THESAURUS IBI COR.'

Shortly after the opening of the provision markets outside the gates of Rome, the Goths broke up their camp before the city and retired to winter quarters in Tuscany. The negotiations which ensued between Alaric and the Court and Government at Ravenna, were conducted with cunning moderation by the conqueror, and with infatuated audacity by the conquered, and ultimately terminated in a resumption of hostilities. Rome was besiege and second and a third time by 'the barbarians'. On the latter occasion the city was sacked, its palaces were burnt, its treasures were seized; the monuments of the Christian religion were alone respected.

But it is no longer with the Goths that our narrative is concerned; the connection with them which it has hitherto maintained closes with the end of the first siege of Rome. We can claim the reader's attention for historical events no more--the march of our little pageant, arrayed for his pleasure, is over. If, however, he has felt, and still retains, some interest in Antonina, he will not refuse to follow us, and look on her again ere we part.

More than a month had passed since the besieging army had retired to their winter quarters, when several of the citizens of Rome assembled themselves on the plains beyond the walls, to enjoy one of those rustic festivals of ancient times, which are still celebrated, under different usages, but with the same spirit, by the Italians of modern days.

The place was a level plot of ground beyond the Pincian Gate, backed by a thick grove of pine trees, and looking towards the north over the smooth extent of the country round Rome. The persons congregated were mostly of the lower class. Their amusements were dancing, music, games of strength and games of chance; and, above all, to people who had lately suffered the extremities of famine, abundant eating and drinking--long, serious, ecstatic enjoyment of the powers of mastication and the faculties of taste.

Among the assembly were some individuals whose dress and manner raised them, outwardly at least, above the general mass. These persons walked backwards and forwards together on different parts of the ground as observers, not as partakers in the sports. One of their number, however, in whatever direction he turned, preserved an isolated position. He held an open letter in his hand, which he looked at from time to time, and appeared to be wholly absorbed in his own thoughts. This man we may advantageously particularise on his own account, as well as on account of the peculiarity of his accidental situation; for he was the favoured minister of Vetranio's former pleasures--'the industrious Carrio'.

Wilkie Collins

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