Antonina (The Fall of Rome)

Wilkie Collins


Antonina (The Fall of Rome) Page 13

The sun is now shining on them with overpowering brightness; the metallic ornaments on their windows glitter like gems of fire; even the trees which form their groves partake of the universal flow of light, and fail, like the objects around them, to offer to the weary eye either refreshment or repose.

Towards the north, the Mausoleum of Augustus, towering proudly up into the brilliant sky, at once attracts the attention. From its position, parts of this noble building are already in shade. Not a human being is visible on any part of its mighty galleries--it stands solitary and sublime, an impressive embodiment of the emotions which it was raised to represent.

On the side opposite the palace and the baths is the turf walk already mentioned. Trees, thickly planted and interlaced by vines, cast a luxurious shade over this spot. In their interstices, viewed from a distance, appear glimpses of gay dresses, groups of figures in repose, stands loaded with fruit and flowers, and innumerable white marble statues of fauns and wood-nymphs. From this delicious retreat the rippling of fountains is to be heard, occasionally interrupted by the rustling of leaves, or the plaintive cadences of the Roman flute.

Southward two pagan temples stand in lonely grandeur among a host of monuments and trophies. The symmetry of their first construction still remains unimpaired, their white marble pillars shine in the sunlight brightly as of old, yet they now present to the eye an aspect of strange desolation, of unnatural mysterious gloom. Although the laws forbid the worship for which they were built, the hand of reform has as yet not ventured to doom them to ruin or adapt them to Christian purposes. None venture to tread their once-crowded colonnades. No priest appears to give the oracles from their doors; no sacrifices reek upon their naked altars. Under their roofs, visited only by the light that steals through their narrow entrances, stand unnoticed, unworshipped, unmoved, the mighty idols of old Rome. Human emotion, which made them Omnipotence once, has left them but stone now. The 'Star in the East' has already dimmed the fearful halo which the devotion of bloodshed once wreathed round their forms. Forsaken and alone, they stand but as the gloomy monuments of the greatest delusion ever organised by the ingenuity of man.

We have now, so to express it, exhibited the frame surrounding the moving picture, which we shall next attempt to present to the reader by mixing with the multitude before the palace gates.

This assembly resolved itself into three divisions: that collected before the palace steps, that loitering about the public baths, and that reposing in the shade of the groves. The first was of the most consequence in numbers, and of the greatest variety in appearance. Composed of rogues of the worst order from every quarter of the world, it might be said to present, in its general aspect of numerical importance, the very sublime of degradation. Confident in their rude union of common avidity, these worthy citizens vented their insolence on all objects, and in every direction, with a careless impartiality which would have shamed the most victorious efforts of modern mobs. The hubbub of voices was perfectly fearful. The coarse execrations of drunken Gauls, the licentious witticisms of effeminate Greeks, the noisy satisfaction of native Romans, the clamorous indignation of irritable Jews--all sounded together in one incessant chorus of discordant noises. Nor were the senses of sight and smell more agreeably assailed than the faculty of hearing, by this anomalous congregation. Immodest youth and irreverent age; woman savage, man cowardly; the swarthy Ethiopian beslabbered with stinking oil; the stolid Briton begrimed with dirt-- these, and a hundred other varying combinations, to be imagined rather than expressed, met the attention in every direction. To describe the odours exhaled by the heat from this seething mixture of many pollutions, would be to force the reader to close the book; we prefer to return to the distribution which was the cause of this degrading tumult, and which consisted of small baskets of roasted meat packed with common fruits and vegetables, and handed, or rather flung down, to the mob by the servants of the nobleman who gave the feast. The people revelled in the abundance thus presented to them. They threw themselves upon it like wild beasts; they devoured it like hogs, or bore it off like plunderers; while, secure in the eminence on which they were placed, the purveyors of this public banquet expressed their contempt for its noisy recipients, by holding their noses, stopping their ears, turning their backs, and other pantomimic demonstrations of lofty and excessive disgust. These actions did not escape the attention of those members of the assembly who, having eaten their fill, were at leisure to make use of their tongues, and who showered an incessant storm of abuse on the heads of their benefactor's retainers.

'See those fellows!' cried one; 'they are the waiters at our feast, and they mock us to our faces! Down with the filthy kitchen thieves!'

'Excellently well said, Davus!--but who is to approach them? They stink at this distance!'

'The rotten-bodied knaves have the noses of dogs and the carcases of goats.'

Then came a chorus of voices--'Down with them! Down with them!' In the midst of which an indignant freedman advanced to rebuke the mob, receiving, as the reward of his temerity, a shower of missiles and a volley of curses; after which he was thus addressed by a huge, greasy butcher, hoisted on his companions' shoulders:--

'By the soul of the emperor, could I get near you, you rogue, I would quarter you with my fingers alone!--A grinning scoundrel that jeers at others! A filthy flatterer that dirts the very ground he walks on! By the blood of the martyrs, should I fling the sweepings of the slaughter- house at him, he knows not where to get himself dried!'

'Thou rag of a man,' roared a neighbour of the indignant butcher's, 'dost thou frown upon the guests of thy master, the very scrapings of whose skin are worth more than thy whole carcase! It is easier to make a drinking-vessel of the skull of a flea than to make an honest man of such a villainous night-walker as thou art!'

'Health and prosperity to our noble entertainer!' shouted one section of the grateful crowd as the last speaker paused for breath.

'Death to all knaves of parasites!' chimed in another.

'Honour to the citizens of Rome!' roared a third party with modest enthusiasm.

'Give that freedman our bones to pick!' screamed an urchin from the outskirts of the crowd.

This ingenious piece of advice was immediately followed; and the populace gave vent to a shout of triumph as the unfortunate freedman, scared by a new volley of missiles, retreated with ignominious expedition to the shelter of his patron's halls.

In the slight and purified specimen of the 'table talk' of a Roman mob which we have here ventured to exhibit, the reader will perceive that extraordinary mixture of servility and insolence which characterised not only the conversation but the actions of the lower orders of society at the period of which we write. Oppressed and degraded, on the one hand, to a point of misery scarcely conceivable to the public of the present day, the poorer classes in Rome were, on the other, invested with such a degree of moral license, and permitted such an extent of political privilege, as flattered their vanity into blinding their sense of indignation. Slaves in their season of servitude, masters in their hours of recreation, they presented, as a class, one of the most amazing social anomalies ever existing in any nation; and formed, in their dangerous and artificial position, one of the most important of the internal causes of the downfall of Rome.

The steps of the public baths were almost as crowded as the space before the neighbouring building. Incessant streams of people, either entering or departing, poured over the broad flagstones of its marble colonnades. This concourse, although composed in some parts of the same class of people as that assembled before the palace, presented a certain appearance of respectability.

Wilkie Collins

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