Antonina (The Fall of Rome)

Wilkie Collins


Antonina (The Fall of Rome) Page 20

Passing through the ranks of the auditors of the sermon--some of whom were engaged in counting the lights in the chandelier, to be certain that the bishop had not defrauded them of one out of the two thousand four hundred lamps; others in holding whispered conversations, and opening small boxes of sweetmeats--we again conduct the reader to the outside of the church.

The assemblage here had by this time much diminished; the shadows flung over the ground by the lofty colonnades had deepened and increased; and in many of the more remote recesses of the Place hardly a human being was to be observed. At one of these extremities, where the pillars terminated in the street and the obscurity was most intense, stood a solitary old man keeping himself cautiously concealed in the darkness, and looking out anxiously upon the public way immediately before him.

He had waited but a short time when a handsome chariot, preceded by a body-guard of gaily-attired slaves, stopped within a few paces of his lurking-place, and the voice of the person it contained pronounced audibly the following words:--

'No! no! Drive on--we are later than I thought. If I stay to see this illumination of the basilica, I shall not be in time to receive my guests for to-night's banquet. Besides, this inestimable kitten of the breed most worshipped by the ancient Egyptians has already taken cold, and I would not for the world expose the susceptible animal any longer than is necessary to the dampness of the night-air. Drive on, good Carrio, drive on!'

The old man scarcely waited for the conclusion of this speech before he ran up to the chariot, where he was immediately confronted by two heads--one that of Vetranio the senator, the other that of a glossy black kitten adorned with a collar of rubies, and half enveloped in its master's ample robes. Before the astonished noble could articulate a word, the man whispered in hoarse, hurried accents, 'I am Ulpius-- dismiss your servants--I have something important to say!'

'Ha! my worthy Ulpius! You have a most unhappy faculty of delivering a message with the manner of an assassin! But I must pardon your unpleasant abruptness in consideration of your diligence. My excellent Carrio, If you value my approbation, remove your companions and yourself out of hearing!'

The freedman yielded instant obedience to his master's mandate. The following conversation then took place, the strange man opening it thus:--

'You remember your promise?'

'I do.'

'Upon your honour, as a nobleman and a senator, you are prepared to abide by it whenever it is necessary?'

'I am.'

'Then at the dawn of morning meet me at the private gate of your palace garden, and I will conduct you to Antonina's bedchamber.'

'The time will suit me. But why at the dawn of morning?'

'Because the Christian dotard will keep a vigil until midnight, which the girl will most probably attend. I wished to tell you this at your palace, but I heard there that you had gone to Aricia, and would return by way of the basilica; so I posted myself to intercept you thus.'

'Industrious Ulpius!'

'Remember your promise!'

Vetranio leaned forward to reply, but Ulpius was gone.

As the senator again commanded his equipage to move on, he looked anxiously around him, as if once more expecting to see his strange adherent still lurking near the chariot. He only perceived, however, a man whom he did not know, followed by two other, walking rapidly past him. They were Numerian and the spies.

'At last, my projects are approaching consummation,' exclaimed Vetranio to himself, as he and his kitten rolled off in the chariot. 'It is well that I thought of securing possession of Julia's villa to-day, for I shall now, assuredly, want to use it to-morrow. Jupiter! What a mass of dangers, contradictions, and mysteries encompass this affair! When I think that I, who pride myself on my philosophy, have quitted Ravenna, borrowed a private villa, leagued myself with an uncultivated plebeian, and all for the sake of a girl who has already deceived my expectations by gaining me as a music-master without admitting me as a lover, I am positively astonished at my own weakness! Still it must be owned that the complexion my adventure has lately assumed renders it of some interest in itself. The mere pleasure of penetrating the secrets of this Numerian's household is by no means the least among the numerous attraction of my design. How has he gained his influence over the girl? Why does he keep her in such strict seclusion? Who is this old half- frantic, unceremonious man-monster calling himself Ulpius; refusing all reward for his villainy; raving about a return to the old religion of the gods; and exulting in the promise he has extorted from me, as a good pagan, to support the first restoration of the ancient worship that may be attempted in Rome? Where does he come from? Why does he outwardly profess himself a Christian? What sent him into Numerian's service? By the girdle of Venus! everything connected with the girl is as incomprehensible as herself! But patience--patience! A few hours more, and these mysteries will be revealed. In the meantime, let me think of my banquet, and of its presiding deity, the Nightingale Sauce!'

CHAPTER 5. ANTONINA.

Who that has been at Rome does not remember with delight the attractions of the Pincian Hill? Who, after toiling through the wonders of the dark, melancholy city, has not been revived by a visit to its shady walks, and by breathing its fragrant breezes? Amid the solemn mournfulness that reigns over declining Rome, this delightful elevation rises light, airy, and inviting, at once a refreshment to the body and a solace to the spirit. From its smooth summit the city is seen in its utmost majesty, and the surrounding country in its brightest aspect. The crimes and miseries of Rome seem deterred from approaching its favoured soil; it impresses the mind as a place set apart by common consent for the presence of the innocent and the joyful--as a scene that rest and recreation keep sacred from the intrusion of tumult and toil.

Its appearance in modern days is the picture of its character for ages past. Successive wars might dull its beauties for a time, but peace invariably restored them in all their pristine loveliness. The old Romans called it 'The Mount of Gardens'. Throughout the disasters of the Empire and the convulsions of the Middle Ages, it continued to merit its ancient appellation, and a 'Mount of Gardens' it still triumphantly remains to the present day.

At the commencement of the fifth century the magnificence of the Pincian Hill was at its zenith. Were it consistent with the conduct of our story to dwell upon the glories of its palaces and its groves, its temples and its theatres, such a glowing prospect of artificial splendour, aided by natural beauty, might be spread before the reader as would tax his credulity, while it excited his astonishment. This task, however, it is here unnecessary to attempt. It is not for the wonders of ancient luxury and taste, but for the abode of the zealous and religious Numerian, that we find it now requisite to arouse interest and engage attention.

At the back of the Flaminian extremity of the Pincian Hill, and immediately overlooking the city wall, stood, at the period of which we write, a small but elegantly built house, surrounded by a little garden of its own, and protected at the back by the lofty groves and outbuildings of the palace of Vetranio the senator. This abode had been at one time a sort of summer-house belonging to the former proprietor of a neighbouring mansion.

Profligate necessities, however, had obliged the owner to part with this portion of his possessions, which was purchased by a merchant well known to Numerian, who received it as a legacy at his friend's death. Disgusted, as soon as his reforming projects took possession of his mind, at the bare idea of propinquity to the ennobled libertines of Rome, the austere Christian determined to abandon his inheritance, and to sell it to another; but, at the repeated entreaties of his daughter, he at length consented to change his purpose, and sacrifice his antipathy to his luxurious neighbours to his child's youthful attachment to the beauties of Nature as displayed in his legacy on the Pincian Mount.

Wilkie Collins

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