Antonina (The Fall of Rome)

Wilkie Collins


Antonina (The Fall of Rome) Page 76

As she thus gazed on him she appeared for the first time to recognise him. Fear and astonishment mingled in her expression with grief and despair as she sunk at his feet, moaning in tones of piercing entreaty--

'O Ulpius!--if Ulpius you are--have pity on me and take me to my father! My father! my father! In all the lonely world there is nothing left to me but my father!'

'Why do you weep to me about your broken lute?' answered Ulpius, with a dull, unmeaning smile; 'it was not I that destroyed it!'

'They have slain him!' she shrieked distractedly, heedless of the Pagan's reply. 'I saw them draw their swords on him! See, his blood is on me--me!--Antonina, whom he protected and loved! Look there; that is a grave--his grave--I know it! I have never seen him since; he is down--down there! under the flowers I grew to gather for him! They slew him; and when I knew it not, they have buried him!--or you--you have buried him! You have hidden him under the cold garden earth! He is gone!--Ah, gone, gone--for ever gone!'

And she flung herself again with reckless violence on the grave. After looking steadfastly on her for a moment, Ulpius approached and raised her from the earth.

'Come!' he cried angrily, 'the night grows on--your father waits!'

'The walls of Rome shut me from my father! I shall never see my father nor Hermanric again!' she cried, in tones of bitter anguish, remembering more perfectly all the miseries of her position, and struggling to release herself from the Pagan's grasp.

The walls of Rome! At those words the mind of Ulpius opened to a flow of dark remembrances, and lost the visions that had occupied it until that moment. He laughed triumphantly.

'The walls of Rome bow to my arm!' he cried, in exulting tones; 'I pierced them with my good bar of iron! I wound through them with my bright lantern! Spirits roared on me, and struck me down, and grinned upon me in the thick darkness, but I passed the wall! The thunder pealed around me as I crawled along the winding rifts; but I won my way through them! I came out conquering on the other side! Come, come, come, come! We will return! I know the track, even in the darkness! I can outwatch the sentinels! You shall walk in the pathway that I have broken through the bricks!

The girl's features lost for a moment their expression of grief, and grew rigid with horror, as she glanced at his fiery eyes, and felt the fearful suspicion of his insanity darkening over her mind. She stood powerless, trembling, unresisting, in his grasp, without attempting to delude him into departure or to appease him into delay.

'Why did I make my passage through the wall?' muttered the Pagan in a low, awe-struck voice, suddenly checking himself, as he was about to step forward. 'Why did I tear down the strong brick-work and go forth into the dark suburbs?'

He paused, and for a few moments struggled with his purposeless and disconnected thoughts; but a blank, a darkness, an annihilation overwhelmed Alaric and the Gothic camp, which he vainly endeavoured to disperse. He sighed bitterly to himself--'It is gone!' and still grasping Antonina by the hand, drew her after him to the garden gate.

'Leave me!' she shrieked, as he passed onward into the pathway that led to the high-road. 'Oh, be merciful, and leave me to die where he has died!'

'Peace! or I will rend you limb by limb, as I rent the stones from the wall when I passed through it!' he whispered to her in fierce accents, as she struggled to escape him. 'You shall return with me to Rome! You shall walk in the track that I have made in the rifted brick-work!'

Terror, anguish, exhaustion, overpowered her weak efforts. Her lips moved, partly in prayer and partly in ejaculation; but she spoke in murmurs only, as she mechanically suffered the Pagan to lead her onward by the hand.

They paced on under the waning starlight, over the cold, lonely road, and through the dreary and deserted suburbs,--a fearful and discordant pair! Coldly, obediently, impassively, as if she were walking in a dream, the spirit-broken girl moved by the side of her scarce-human leader. Disjointed exclamation, alternating horribly between infantine simplicity and fierce wickedness, poured incessantly from the Pagan's lips, but he never addressed himself further to his terror-stricken companion. So, wending rapidly onward, they gained the Gothic lines; and here the madman slackened his pace, and paused, beast-like, to glare around him, as he approached the habitations of men.

Still not opposed by Antonina, whose faculties of observation were petrified by her terror into perfect inaction, even here, within reach of the doubtful aid of the enemies of her people, the Pagan crept forward through the loneliest places of the encampment, and, guided by the mysterious cunning of his miserable race, eluded successfully the observation of the drowsy sentinels. Never bewildered by the darkness-- for the moon had gone down--always led by the animal instinct co- existent with his disease, he passed over the waste ground between the hostile encampment and the city, and arrived triumphant at the heap of stones that marked his entrance to the rifted wall.

For one moment he stopped, and turning towards the girl, pointed proudly to the dark, low breach he was about to penetrate. Then, drawing her half-fainting form closer to his side, looking up attentively to the ramparts, and stepping as noiselessly as though turf were beneath his feet, he entered the dusky rift with his helpless charge.

As they disappeared in the recesses of the wall, Night--the stormy, the eventful, the fatal!--reached its last limit; and the famished sentinel on the fortifications of the besieged city roused himself from his dreary and absorbing thoughts, for he saw that the new day was dawning in the east.

CHAPTER 20. THE BREACH REPASSED.

Slowly and mournfully the sentinel at the rifted wall raised his eyes towards the eastern clouds as they brightened before the advancing dawn. Desolate as was the appearance of the dull, misty daybreak, it was yet the most welcome of all the objects surrounding the starving soldier on which he could fix his languid gaze. To look back on the city behind him was to look back on the dreary charnel-house of famine and death; to look down on the waste ground without the walls was to look down on the dead body of the comrade of his watch, who, maddened by the pangs of hunger which he had suffered during the night, had cast himself from the rampart to meet a welcome death on the earth beneath. Famished and despairing, the sentinel crouched on the fortifications which he had now neither strength to pace nor care to defend, yearning for the food that he had no hope to obtain, as he watched the grey daybreak from his solitary post.

While he was thus occupied, the gloomy silence of the scene was suddenly broken by the sound of falling brick-work at the inner base of the wall, followed by faint entreaties for mercy and deliverance, which rose on his ear, strangely mingled with disjointed expression of defiance and exultation from a second voice. He slowly turned his head, and, looking down, saw on the ground beneath a young girl struggling in the grasp of an old man, who was hurrying her onward in the direction of the Pincian Gate.

For one moment the girl's eye met the sentinel's vacant glance, and she renewed, with a last effort of strength, and a greater vehemence of supplication, her cries for help; but the soldier neither moved nor answered. Exhausted as he was, no sight could affect him now but the sight of food. Like the rest of the citizens, he was sunk in a heavy stupor of starvation--selfish, reckless, brutalised. No disasters could depress, no atrocities rouse him. Famine had torn asunder every social tie, had withered every human sympathy among his besieged fellow- citizens, and he was famishing like them.

At the moment when the dawn had first appeared, could he have looked down by some mysterious agency to the interior foundations of the wall, from the rampart on which he kept his weary watch, such a sight must then have presented itself as would have aroused even his sluggish observation to rigid attention and involuntary surprise.

Wilkie Collins

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