Armadale

Wilkie Collins


Armadale Page 48

His district was Diana Street, Pimlico; and the last of the morning's newspapers which he disposed of was the newspaper he left at Mrs. Oldershaw's door.

CHAPTER III.

THE CLAIMS OF SOCIETY.

More than an hour after Allan had set forth on his exploring expedition through his own grounds, Midwinter rose, and enjoyed, in his turn, a full view by daylight of the magnificence of the new house.

Refreshed by his long night's rest, he descended the great staircase as cheerfully as Allan himself. One after another, he, too, looked into the spacious rooms on the ground floor in breathless astonishment at the beauty and the luxury which surrounded him. "The house where I lived in service when I was a boy, was a fine one," he thought, gayly; "but it was nothing to this! I wonder if Allan is as surprised and delighted as I am?" The beauty of the summer morning drew him out through the open hall door, as it had drawn his friend out before him. He ran briskly down the steps, humming the burden of one of the old vagabond tunes which he had danced to long since in the old vagabond time. Even the memories of his wretched childhood took their color, on that happy morning. from the bright medium through which he looked back at them. "If I was not out of practice," he thought to himself, as he leaned on the fence and looked over at the park, "I could try some of my old tumbling tricks on that delicious grass." He turned, noticed two of the servants talking together near the shrubbery, and asked for news of the master of the house.

The men pointed with a smile in the direction of the gardens; Mr. Armadale had gone that way more than an hour since, and had met (as had been reported) with Miss Milroy in the grounds. Midwinter followed the path through the shrubbery, but, on reaching the flower garden, stopped, considered a little, and retraced his steps. "If Allan has met with the young lady," he said to himself, "Allan doesn't want me." He laughed as he drew that inevitable inference, and turned considerately to explore the beauties of Thorpe Ambrose on the other side of the house.

Passing the angle of the front wall of the building, he descended some steps, advanced along a paved walk, turned another angle, and found himself in a strip of garden ground at the back of the house.

Behind him was a row of small rooms situated on the level of the servants' offices. In front of him, on the further side of the little garden, rose a wall, screened by a laurel hedge, and having a door at one end of it, leading past the stables to a gate that opened on the high-road. Perceiving that he had only discovered thus far the shorter way to the house, used by the servants and trades-people, Midwinter turned back again, and looked in at the window of one of the rooms on the basement story as he passed it. Were these the servants' offices? No; the offices were apparently in some other part of the ground-floor; the window he had looked in at was the window of a lumber-room. The next two rooms in the row were both empty. The fourth window, when he approached it, presented a little variety. It served also as a door; and it stood open to the garden at that moment.

Attracted by the book-shelves which he noticed on one of the walls, Midwinter stepped into the room.

The books, few in number, did not detain him long; a glance at their backs was enough without taking them down. The Waverley Novels, Tales by Miss Edgeworth, and by Miss Edgeworth's many followers, the Poems of Mrs. Hemans, with a few odd volumes of the illustrated gift-books of the period, composed the bulk of the little library. Midwinter turned to leave the room, when an object on one side of the window, which he had not previously noticed, caught his attention and stopped him. It was a statuette standing on a bracket--a reduced copy of the famous Niobe of the Florence Museum. He glanced from the statuette to the window, with a sudden doubt which set his heart throbbing fast. It was a French window. He looked out with a suspicion which he had not felt yet. The view before him was the view of a lawn and garden. For a moment his mind struggled blindly to escape the conclusion which had seized it, and struggled in vain. Here, close round him and close before him--here, forcing him mercilessly back from the happy present to the horrible past, was the room that Allan had seen in the Second Vision of the Dream.

He waited, thinking and looking round him while he thought. There was wonderfully little disturbance in his face and manner; he looked steadily from one to the other of the few objects in the room, as if the discovery of it had saddened rather than surprised him. Matting of some foreign sort covered the floor. Two cane chairs and a plain table comprised the whole of the furniture. The walls were plainly papered, and bare--broken to the eye in one place by a door leading into the interior of the house; in another, by a small stove; in a third, by the book-shelves which Midwinter had already noticed. He returned to the books, and this time he took some of them down from the shelves.

The first that he opened contained lines in a woman's handwriting, traced in ink that had faded with time. He read the inscription--"Jane Armadale, from her beloved father. Thorpe Ambrose, October, 1828." In the second, third, and fourth volumes that he opened, the same inscription re-appeared. His previous knowledge of dates and persons helped him to draw the true inference from what he saw. The books must have belonged to Allan's mother; and she must have inscribed them with her name, in the interval of time between her return to Thorpe Ambrose from Madeira and the birth of her son. Midwinter passed on to a volume on another shelf--one of a series containing the writings of Mrs. Hemans. In this case, the blank leaf at the beginning of the book was filled on both sides with a copy of verses, the writing being still in Mrs. Armadale's hand. The verses were headed "Farewell to Thorpe Ambrose," and were dated "March, 1829"--two months only after Allan had been born.

Entirely without merit in itself, the only interest of the little poem was in the domestic story that it told.

The very room in which Midwinter then stood was described--with the view on the garden, the window made to open on it, the bookshelves, the Niobe, and other more perishable ornaments which Time had destroyed. Here, at variance with her brothers, shrinking from her friends, the widow of the murdered man had, on her own acknowledgment, secluded herself, without other comfort than the love and forgiveness of her father, until her child was born. The father's mercy and the father's recent death filled many verses, happily too vague in their commonplace expression of penitence and despair to give any hint of the marriage story in Madeira to any reader who looked at them ignorant of the truth. A passing reference to the writer's estrangement from her surviving relatives, and to her approaching departure from Thorpe Ambrose, followed. Last came the assertion of the mother's resolution to separate herself from all her old associations; to leave behind her every possession, even to the most trifling thing she had, that could remind her of the miserable past; and to date her new life in the future from the birthday of the child who had been spared to console her--who was now the one earthly object that could still speak to her of love and hope. So the old story of passionate feeling that finds comfort in phrases rather than not find comfort at all was told once again. So the poem in the faded ink faded away to its end.

Midwinter put the book back with a heavy sigh, and opened no other volume on the shelves. "Here in the country house, or there on board the wreck," he said, bitterly, "the traces of my father's crime follow me, go where I may." He advanced toward the window, stopped, and looked back into the lonely, neglected little room. "Is this chance?" he asked himself. "The place where his mother suffered is the place he sees in the Dream; and the first morning in the new house is the morning that reveals it, not to him, but to me. Oh, Allan! Allan! how will it end?"

The thought had barely passed through his mind before he heard Allan's voice, from the paved walk at the side of the house, calling to him by his name. He hastily stepped out into the garden. At the same moment Allan came running round the corner, full of voluble apologies for having forgotten, in the society of his new neighbors, what was due to the laws of hospitality and the claims of his friend.

"I really haven't missed you," said Midwinter; "and I am very, very glad to hear that the new neighbors have produced such a pleasant impression on you already."

He tried, as he spoke, to lead the way back by the outside of the house; but Allan's flighty attention had been caught by the open window and the lonely little room. He stepped in immediately. Midwinter followed, and watched him in breathless anxiety as he looked round. Not the slightest recollection of the Dream troubled Allan's easy mind.

Wilkie Collins

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