"I know why Carmina's excited," she said. "The old woman's coming at six o'clock."
He paid no attention to the child; he persisted in keeping watch on Carmina. "Who is the woman?" he asked.
"The most lovable woman in the world," she cried; "my dear old nurse!" She started up from the sofa, and pointed with theatrical exaggeration of gesture to the clock on the mantelpiece. "Look! it's only ten minutes to six. In ten minutes, I shall have my arms round Teresa's neck. Don't look at me in that way! It's your fault if I'm excited. It's your dreadful eyes that do it. Come here, Zo! I want to give you a kiss." She seized on Zo with a roughness that startled the child, and looked wildly at Benjulia. "Ha! you don't understand loving and kissing, do you? What's the use of speaking to you about my old nurse?"
He pointed imperatively to the sofa. "Sit down again."
She obeyed him--but he had not quite composed her yet. Her eyes sparkled; she went on talking. "Ah, you're a hard man! a miserable man! a man that will end badly! You never loved anybody. You don't know what love is."
"What is it?"
That icy question cooled her in an instant: her head sank on her bosom: she suddenly became indifferent to persons and things about her. "When will Teresa come?" she whispered to herself. "Oh, when will Teresa come!"
Any other man, whether he really felt for her or not, would, as a mere matter of instinct, have said a kind word to her at that moment. Not the vestige of a change appeared in Benjulia's impenetrable composure. She might have been a man--or a baby--or the picture of a girl instead of the girl herself, so far as he was concerned. He quietly returned to his question.
"Well," he resumed--"and what is love?"
Not a word, not a movement escaped her.
"I want to know," he persisted, waiting for what might happen.
Nothing happened. He was not perplexed by the sudden change. "This is the reaction," he thought. "We shall see what comes of it." He looked about him. A bottle of water stood on one of the tables. "Likely to be useful," he concluded, "in case she feels faint."
Zo had been listening; Zo saw her way to getting noticed again. Not quite sure of herself this time, she appealed to Carmina. "Didn't he say, just now, he wanted to know?"
Carmina neither heard nor heeded her. Zo tried Benjulia next. "Shall I tell you what we do in the schoolroom, when we want to know?" His attention, like Carmina's attention, seemed to be far away from her. Zo impatiently reminded him of her presence--she laid her hand on his knee.
It was only the hand of a child--an idle, quaint, perverse child--but it touched, ignorantly touched, the one tender place in his nature, unprofaned by the infernal cruelties which made his life acceptable to him; the one tender place, hidden so deep from the man himself, that even his far-reaching intellect groped in vain to find it out. There, nevertheless, was the feeling which drew him to Zo, contending successfully with his medical interest in a case of nervous derangement. That unintelligible sympathy with a child looked dimly out of his eyes, spoke faintly in his voice, when he replied to her. "Well," he said, "what do you do in the schoolroom?"
"We look in the dictionary," Zo answered. "Carmina's got a dictionary. I'll get it."
She climbed on a chair, and found the book, and laid it on Benjulia's lap. "I don't so much mind trying to spell a word," she explained. "What I hate is being asked what it means. Miss Minerva won't let me off. She says, Look. I won't let you off. I'm Miss Minerva and you're Zo. Look!"
He humoured her silently and mechanically--just as he had humoured her in the matter of the stick, and in the matter of the tickling. Having opened the dictionary, he looked again at Carmina. She had not moved; she seemed to be weary enough to fall asleep. The reaction--nothing but the reaction. It might last for hours, or it might be at an end in another minute. An interesting temperament, whichever way it ended. He opened the dictionary.
"Love?" he muttered grimly to himself. "It seems I'm an object of compassion, because I know nothing about love. Well, what does the book say about it?"
He found the word, and ran his finger down the paragraphs of explanation which followed. "Seven meanings to Love," he remarked. "First: An affection of the mind excited by beauty and worth of any kind, or by the qualities of an object which communicate pleasure. Second: Courtship. Third: Patriotism, as the love of country. Fourth: Benevolence. Fifth: The object beloved. Sixth: A word of endearment. Seventh: Cupid, the god of love."
He paused, and reflected a little. Zo, hearing nothing to amuse her, strayed away to the window, and looked out. He glanced at Carmina.
"Which of those meanings makes the pleasure of her life?" he wondered. "Which of them might have made the pleasure of mine?" He closed the dictionary in contempt. "The very man whose business is to explain it, tries seven different ways, and doesn't explain it after all. And yet, there is such a thing." He reached that conclusion unwillingly and angrily. For the first time, a doubt about himself forced its way into his mind. Might he have looked higher than his torture-table and his knife? Had he gained from his life all that his life might have given to him?
Left by herself, Zo began to grow tired of it. She tried to get Carmina for a companion. "Come and look out of window," she said.
Carmina gently refused: she was unwilling to be disturbed. Since she had spoken to Benjulia, her thoughts had been dwelling restfully on Ovid. In another day she might be on her way to him. When would Teresa come?
Benjulia was too preoccupied to notice her. The weak doubt that had got the better of his strong reason, still held him in thrall. "Love!" he broke out, in the bitterness of his heart. "It isn't a question of sentiment: it's a question of use. Who is the better for love?"
She heard the last words, and answered him. "Everybody is the better for it." She looked at him with sorrowful eyes, and laid her hand on his arm. "Everybody," she added, "but you."
He smiled scornfully. "Everybody is the better for it," he repeated. "And who knows what it is?"
She drew away her hand, and looked towards the heavenly tranquillity of the evening sky.
"Who knows what it is?" he reiterated.
"God," she said.
Benjulia was silent.
CHAPTER XLV.
The clock on the mantelpiece struck six. Zo, turning suddenly from the window, ran to the sofa. "Here's the carriage!" she cried.
"Teresa!" Carmina exclaimed.
Zo crossed the room, on tiptoe, to the door of the bed-chamber. "It's mamma," she said. "Don't tell! I'm going to hide."
"Why, dear?"
The answer to this was given mysteriously in a whisper. "She said I wasn't to come to you. She's a quick one on her legs--she might catch me on the stairs." With that explanation, Zo slipped into the bedroom, and held the door ajar.
The minutes passed--and Mrs. Gallilee failed to justify the opinion expressed by her daughter.