She forbade Teresa to write to him; she sent messages to Mr. and Mrs. Gallilee, and even to Mr. Mool, entreating them to preserve silence.
The nurse engaged to deliver the messages--and failed to keep her word. This breach of promise (as events had ordered it) proved to be harmless. Mrs. Gallilee had good reasons for not writing. Her husband and Mr. Mool had decided on sending their telegram to the bankers. As for Teresa herself, she had no desire to communicate with Ovid. His absence remained inexcusable, from her point of view. Well or ill, with or without reason, it was the nurse's opinion that he ought to have remained at home, in Carmina's interests. No other persons were in the least likely to write to Ovid--nobody thought of Zo as a correspondent--Carmina was pacified.
Once or twice, at this later time, the languid efforts of her memory took a wider range.
She wondered why Mrs. Gallilee never came near her; owning that her aunt's absence was a relief to her, but not feeling interest enough in the subject to ask for information. She also mentioned Miss Minerva. "Do you know where she has gone? Don't you think she ought to write to me?" Teresa offered to make inquiries. She turned her head wearily on the pillow, and said, "Never mind!" On another occasion, she asked for Zo, and said it would be pleasant if Mr. Gallilee would call and bring her with him. But she soon dropped the subject, not to return to it again.
The only remembrance which seemed to dwell on her mind for more than a few minutes, was her remembrance of the last letter which she had written to Ovid.
She pleased herself with imagining his surprise, when he received it; she grew impatient under her continued illness, because it delayed her in escaping to Canada; she talked to Teresa of the clever manner in which the flight had been planned--with this strange failure of memory, that she attributed the various arrangements for setting discovery at defiance, not to Miss Minerva, but to the nurse.
Here, for the first time, her mind was approaching dangerous ground. The stealing of the letter, and the events that had followed it, stood next in the order of remembrance--if she was capable of a continued effort. Her weakness saved her. Beyond the writing of the letter, her recollections were unable to advance. Not the faintest allusion to any later circumstances escaped her. The poor stricken brain still sought its rest in frequent intervals of sleep. Sometimes, she drifted back into partial unconsciousness; sometimes, the attacks of sickness returned. Mr. Null set an excellent example of patience and resignation. He believed as devoutly as ever in his prescriptions; he placed the greatest reliance on time and care. The derangement of the stomach (as he called it) presented something positive and tangible to treat: he had got over the doubts and anxieties that troubled him, when Carmina was first removed to the lodgings. Looking confidently at the surface--without an idea of what was going on below it--he could tell Teresa, with a safe conscience, that he understood the case. He was always ready to comfort her, when her excitable Italian nature passed from the extreme of hope to the extreme of despair. "My good woman, we see our way now: it's a great point gained, I assure you, to see our way."
"What do you mean by seeing your way?" said the downright nurse. "Tell me when Carmina will be well again."
Mr. Null's medical knowledge was not yet equal to this demand on it. "The progress is slow," he admitted, "still Miss Carmina is getting on."
"Is her aunt getting on?" Teresa asked abruptly. "When is Mistress Gallilee likely to come here?"
"In a few days--" Mr. Null was about to add "I hope;" but he thought of what might happen when the two women met. As it was, Teresa's face showed signs of serious disturbance: her mind was plainly not prepared for this speedy prospect of a visit from Mrs. Gallilee. She took a letter out of her pocket.
"I find a good deal of sly prudence in you," she said to Mr. Null. "You must have seen something, in your time, of the ways of deceitful Englishwomen. What does that palaver mean in plain words?" She handed the letter to him.
With some reluctance he read it.
"Mrs. Gallilee declines to contract any engagement with the person formerly employed as nurse, in the household of the late Mr. Robert Graywell. Mrs. Gallilee so far recognises the apology and submission offered to her, as to abstain from taking immediate proceedings. In arriving at this decision, she is also influenced by the necessity of sparing her niece any agitation which might interfere with the medical treatment. When the circumstances appear to require it, she will not hesitate to exert her authority."
The handwriting told Mr. Null that this manifesto had not been written by Mrs. Gallilee herself. The person who had succeeded him, in the capacity of that lady's amanuensis, had been evidently capable of giving sound advice. Little did he suspect that this mysterious secretary was identical with an enterprising pianist, who had once prevailed on him to take a seat at a concert; price five shillings.
"Well?" said Teresa.
Mr. Null hesitated.
The nurse stamped impatiently on the floor. "Tell me this! When she does come here, will she part me from Carmina? Is that what she means?"
"Possibly," said prudent Mr. Null.
Teresa pointed to the door. "Good-morning! I want nothing more of you. Oh, man, man, leave me by myself!"
The moment she was alone, she fell on her knees. Fiercely whispering, she repeated over and over again the words of the Lord's Prayer: "'Lead us not into temptation, but deliver us from evil.' Christ, hear me! Mother of Christ, hear me! Oh, Carmina! Carmina!"
She rose and opened the door which communicated with the bedroom. Trembling pitiably, she looked for a while at Carmina, peacefully asleep--then turned away to a corner of the room, in which stood an old packing-case, fitted with a lock. She took it up; and, returning with it to the sitting-room, softly closed the bedroom door again.
After some hesitation, she decided to open the case. In the terror and confusion that possessed her, she tried the wrong key. Setting this mistake right, she disclosed--strangely mingled with the lighter articles of her own dress--a heap of papers; some of them letters and bills; some of them faded instructions in writing for the preparation of artists' colours.
She recoiled from the objects which her own act had disclosed. Why had she not taken Father Patrizio's advice? If she had only waited another day; if she had only sorted her husband's papers, before she threw the things that her trunk was too full to hold into that half-empty case, what torment might have been spared to her! Her eyes turned mournfully to the bedroom door. "Oh, my darling, I was in such a hurry to get to You!"
At last, she controlled herself, and put her hand into the case. Searching it in one corner, she produced a little tin canister. A dirty label was pasted on the canister, bearing this quaint inscription in the Italian language:
"If there is any of the powder we employ in making some of our prettiest colours, left in here, I request my good wife, or any other trustworthy person in her place, to put a seal on it, and take it directly to the manufactory, with the late foreman's best respects.