Blyth has done. The best drawing of the evening--just what I thought it would be--the best drawing of the evening!"
Zack, who had been yawning disconsolately over his own copy, with his fists stuck into his cheeks, and his elbows on his knees, bustled up to the couch directly. As he approached, Madonna tried to get back to her former position at the fireplace, but was prevented by Mrs. Blyth, who kept tight hold of her hand. Just then, Zack fixed his eyes on her and increased her confusion.
"She looks prettier than ever to-night, don't she, Mrs. Blyth?" he said, sitting down and yawning again. "I always like her best when her eyes brighten up and look twenty different ways in a minute, just as they're doing now. She may not be so like Raphael's pictures at such times, I dare say (here he yawned once more); but for my part--What's she wanting to get away for? And what are you laughing about, Mrs. Blyth? I say, Valentine, there's some joke going on here between the ladies!"
"Do you remember this, Zack?" asked Mrs. Blyth, tightening her hold of Madonna with one hand, and producing the framed drawing of the Venus de' Medici with the other.
"Madonna's copy from my bust of the Venus!" cried Valentine, interposing with his usual readiness, and skipping forward with his accustomed alacrity.
"Madonna's copy from Blyth's bust of the Venus," echoed Zack, coolly; his slippery memory not having preserved the slightest recollection of the drawing at first sight of it.
"Dear me! how nicely it's framed, and how beautifully she has finished it!" pursued Valentine, gently patting Madonna's shoulder, in token of his high approval and admiration.
"Very nicely framed, and beautifully finished, as you say, Blyth," glibly repeated Zack, rising from his chair, and looking rather perplexed, as he noticed the expression with which Mrs. Blyth was regarding him.
"But who got it framed?" asked Valentine. "She would never have any of her drawings framed before. I don't understand what it all means."
"No more do I," said Zack, dropping back into his chair in lazy astonishment. "Is it some riddle, Mrs. Blyth? Something about why is Madonna like the Venus de' Medici, eh? If it is, I object to the riddle, because she's a deal prettier than any plaster face that ever was made. Your face beats Venus's hollow," continued Zack, communicating this bluntly sincere compliment to Madonna by the signs of the deaf and dumb alphabet.
She smiled as she watched the motion of his fingers--perhaps at his mistakes, for he made two in expressing one short sentence of five words--perhaps at the compliment, homely as it was.
"Oh, you men, how dreadfully stupid you are sometimes!" exclaimed Mrs. Blyth. "Why, Valentine, dear, it's the easiest thing in the world to guess what she has had the drawing framed for. To make it a present to somebody, of course! And who does she mean to give it to?"
"Ah! who indeed?" interrupted Zack, sliding down cozily in his chair, resting his head on the back rail, and spreading his legs out before him at full stretch.
"I have a great mind to throw the drawing at your head, instead of giving it to you!" cried Mrs. Blyth, losing all patience.
"You don't mean to say the drawing's a present to me!" exclaimed Zack, starting from his chair with one prodigious jump of astonishment.
"You deserve to have your ears well boxed for not having guessed that it was long ago!" retorted Mrs. Blyth. "Have you forgotten how you praised that very drawing, when you saw it begun in the studio? Didn't you tell Madonna--"
"Oh! the dear, good, generous, jolly little soul!" cried Zack, snatching up the drawing from the couch, as the truth burst upon him at last in a flash of conviction. "Tell her on your fingers, Mrs. Blyth, how proud I am of my present. I can't do it with mine, because I can't let go of the drawing. Here, look here!--make her look here, and see how I like it!" And Zack hugged the copy of the Venus de' Medici to his waistcoat, by way of showing how highly he prized it.
At this outburst of sentimental pantomime, Madonna raised her head and glanced at young Thorpe. Her face, downcast, anxious, and averted even from Mrs. Blyth's eyes during the last few minutes (as if she had guessed every word that could pain her, out of all that had been said in her presence), now brightened again with pleasure as she looked up--with innocent, childish pleasure, that affected no reserve, dreaded no misconstruction, foreboded no disappointment. Her eyes, turning quickly from Zack, and appealing gaily to Valentine, beamed with triumph when he pointed to the drawing, and smilingly raised his hands in astonishment, as a sign that he had been pleasantly surprised by the presentation of her drawing to his new pupil. Mrs. Blyth felt the hand which she still held in hers, and which had hitherto trembled a little from time to time, grow steady and warm in her grasp, and dropped it. There was no fear that Madonna would now leave the side of the couch and steal away by herself to the fireplace.
"Go on, Mrs. Blyth--you never make mistakes in talking on your fingers, and I always do--go on, please, and tell her how much I thank her," continued Zack, holding out the drawing at arm's length, and looking at it with his head on one side, by way of imitating Valentine's manner of studying his own pictures. "Tell her I'll take such care of it as I never took of anything before in my life. Tell her I'll hang it up in my bed-room, where I can see it every morning as soon as I wake. Have you told her that?--or shall I write it on her slate? Hullo! here comes the tea. And, by heavens, a whole bagful of muffins! What!!! the kitchen fire's too black to toast them. I'll undertake the whole lot in the drawing academy. Here, Patty, give us the toasting-fork: I'm going to begin. I never saw such a splendid fire for toasting muffins before in my life! Rum-dum-diddy-iddy-dum-dee, dum-diddy-iddy-dum!" And Zack fell on his knees at the fireplace, humming "Rule Britannia," and toasting his first muffin in triumph; utterly forgetting that he had left Madonna's drawing lying neglected, with its face downwards, on the end of Mrs. Blyth's couch.
Valentine, who in the innocence of his heart suspected nothing, burst out laughing at this new specimen of Zack's inveterate flightiness. His kind instincts, however, guided his hand at the same moment to the drawing. He took it up carefully, and placed it on a low bookcase at the opposite side of the room. If any increase had been possible in his wife's affection for him, she would have loved him better than ever at the moment when he performed that one little action.
As her husband removed the drawing, Mrs. Blyth looked at Madonna. The poor girl stood shrinking close to the couch, with her hands clasped tightly together in front of her, and with no trace of their natural lovely color left on her cheeks. Her eyes followed Valentine listlessly to the bookcase, then turned towards Zack, not reproachfully nor angrily--not even tearfully--but again with that same look of patient sadness, of gentle resignation to sorrow, which used to mark their expression so tenderly in the days of her bondage among the mountebanks of the traveling circus.