"I'll tell you, sir--I'll tell you directly why I've come to London," repeated Mrs. Peckover, backing majestically from the tea-table, and rolling round easily on her own axis in the direction of the couch, to ask for the fullest particulars of the state of Mrs. Blyth's health.
"Much better, my good friend--much better," was the cheerful answer; "but do tell us (we are so glad to see you!) how you came to surprise us all in this way?"
"Well, ma'am," began Mrs. Peckover, "it's almost as great a surprise to me to be in London, as it is--Be quiet, young Good-for-Nothing; I won't even shake hands with you if you don't behave yourself!" These last words she addressed to Zack, whose favorite joke it had always been, from the day of their first acquaintance at Valentine's house, to pretend to be violently in love with her. He was now standing with his arms wide open, the toasting-fork in one hand and the muffin he had burnt in the other, trying to look languishing, and entreating Mrs. Peckover to give him a kiss.
"When you know how to toast a muffin properly, p'raps I may give you one," said she, chuckling as triumphantly over her own small retort as if she had been a professed wit. "Do, Mr. Blyth, sir, please to keep him quiet, or I shan't be able to get on with a single word of what I've got to say. Well, you see, ma'am, Doctor Joyce--"
"How is he?" interrupted Valentine, handing Mrs. Peckover a cup of tea.
"He's the best gentleman in the world, sir, but he will have his glass of port after dinner; and the end of it is, he's laid up again with the gout."
"And Mrs. Joyce?"
"Laid up too, sir--it's a dreadful sick house at the Rectory--laid up with the inferlenzer."
"Have any of the children caught the influenza too?" asked Mrs. Blyth. "I hope not."
"No, ma'am, they're all nicely, except the youngest; and it's on account of her--don't you remember her, sir, growing so fast, when you was last at the Rectory?--that I'm up in London.
"Is the child ill?" asked Valentine anxiously. "She's such a picturesque little creature, Lavvie! I long to paint her."
"I'm afraid, sir, she's not fit to be put into a picter now," said Mrs. Peckover. "Mrs. Joyce is in sad trouble about her, because of one of her shoulders which has growed out somehow. The doctor at Rubbleford don't doubt but what it may be got right again; but he said she ought to be shown to some great London doctor as soon as possible. So, neither her papa nor her mamma being able to take her up to her aunt's house, they trusted her to me. As you know, sir, ever since Doctor Joyce got my husband that situation at Rubbleford, I've been about the Rectory, helping with the children and the housekeeping, and all that:--and Miss Lucy being used to me, we come along together in the railroad quite pleasant and comfortable. I was glad enough, you may be sure, of the chance of getting here, after not having seen little Mary for so long. So I just left Miss Lucy at her aunt's, where they were very kind, and wanted me to stop all night. But I told them that, thanks to your goodness, I always had a bed here when I was in London; and I took the cab on, after seeing the little girl safe and comfortable up-stairs. That's the whole story of how I come to surprise you in this way, ma'am,--and now I'll finish my tea."
Having got to the bottom of her cup, and to the end of a muffin amorously presented to her by the incorrigible Zack, Mrs. Peckover had leisure to turn again to Madonna; who, having relieved her of her bonnet and shawl, was now sitting close at her side.
"I didn't think she was looking quite so well as usual, when I first come in," said Mrs. Peckover, patting the girl's cheek with her chubby fingers; "but she seems to have brightened up again now." (This was true: the sad stillness had left Madonna's face, at sight of the friend and mother of her early days.) "Perhaps she's been sticking a little too close to her drawing lately--"
"By the bye, talking of drawings, what's become of my drawing?" cried Zack, suddenly recalled for the first time to the remembrance of Madonna's gift.
"Dear me!" pursued Mrs. Peckover, looking towards the three drawing-boards, which had been placed together round the pedestal of the cast; "are all those little Mary's doings? She's cleverer at it, I suppose, by this time, than ever. Ah, Lord! what an old woman I feel, when I think of the many years ago--"
"Come and look at what she has done to-night," interrupted Valentine, taking Mrs. Peckover by the arm, and pressing it very significantly as he glanced at the part of the table where young Thorpe was sitting.
"My drawing--where's my drawing?" repeated Zack. "Who put it away when tea came in? Oh, there it is, all safe on the book case."
"I congratulate you, sir, on having succeeded at last in remembering that there is such a thing in the world as Madonna's present," said Mrs. Blyth sarcastically.
Zack looked up bewildered from his tea, and asked directly what those words meant.
"Oh, never mind," said Mrs. Blyth in the same tone, "they're not worth explaining. Did you ever hear of a young gentleman who thought more of a plate of muffins than of a lady's gift? I dare say not! I never did. It's too ridiculously improbable to be true, isn't it? There! don't speak to me; I've got a book here that I want to finish. No, it's no use; I shan't say another word."
"What have I done that's wrong?" asked Zack, looking piteously perplexed as he began to suspect that he had committed some unpardonable mistake earlier in the evening. "I know I burnt a muffin; but what has that got to do with Madonna's present to me?" (Mrs. Blyth shook her head; and, opening her book, became quite absorbed over it in a moment.) "Didn't I thank her properly for it? I'm sure I meant to." (Here he stopped; but Mrs. Blyth took no notice of him.) "I suppose I've got myself into some scrape? Make as much fun as you like about it; but tell me what it is. You won't? Then I'll find out all about it from Madonna. She knows, of course; and she'll tell me. Look here, Mrs. Blyth; I'm not going to get up till she's told me everything." And Zack, with a comic gesture of entreaty, dropped on his knees by Madonna's chair; preventing her from leaving it, which she tried to do, by taking immediate possession of the slate that hung at her side.
While young Thorpe was scribbling questions, protestations, and extravagances of every kind, in rapid succession, on the slate; and while Madonna, her face half smiling, half tearful, as she felt that he was looking up at it--was reading what he wrote, trying hard, at first, not to believe in him too easily when he scribbled an explanation, and not to look down on him too leniently when he followed it up by an entreaty; and ending at last, in defiance of Mrs. Blyth's private signs to the contrary, in forgiving his carelessness, and letting him take her hand again as usual, in token that she was sincere,--while this little scene of the home drama was proceeding at one end of the room, a scene of another kind--a dialogue in mysterious whispers--was in full progress between Mr.