Miss de Sor goes back to the school with Miss Ladd, I suppose?"
Emily was at a loss to account for the depression in his looks and tones, while he was making these unimportant inquiries. She tried to rouse him by speaking lightly in reply.
"Miss de Sor returns in quite a new character; she is to be a guest instead of a pupil. Do you wish to be better acquainted with her?"
"Yes," he said grave ly, "now I know that she is a friend of yours." He returned to his place near her. "A pleasant visit makes the days pass quickly," he resumed. "You may remain at Brighton longer than you anticipate; and we may not meet again for some time to come. If anything happens--"
"Do you mean anything serious?" she asked.
"No, no! I only mean--if I can be of any service. In that case, will you write to me?"
"You know I will!"
She looked at him anxiously. He had completely failed to hide from her the uneasy state of his mind: a man less capable of concealment of feeling never lived. "You are anxious, and out of spirits," she said gently. "Is it my fault?"
"Your fault? oh, don't think that! I have my dull days and my bright days--and just now my barometer is down at dull." His voice faltered, in spite of his efforts to control it; he gave up the struggle, and took his hat to go. "Do you remember, Emily, what I once said to you in the garden at the school? I still believe there is a time of fulfillment to come in our lives." He suddenly checked himself, as if there had been something more in his mind to which he hesitated to give expression--and held out his hand to bid her good-by.
"My memory of what you said in the garden is better than yours," she reminded him. "You said 'Happen what may in the interval, I trust the future.' Do you feel the same trust still?"
He sighed--drew her to him gently--and kissed her on the forehead. Was that his own reply? She was not calm enough to ask him the question: it remained in her thoughts for some time after he had gone.
. . . . . . . .
On the same day Emily was at Brighton.
Francine happened to be alone in the drawing-room. Her first proceeding, when Emily was shown in, was to stop the servant.
"Have you taken my letter to the post?"
"Yes, miss."
"It doesn't matter." She dismissed the servant by a gesture, and burst into such effusive hospitality that she actually insisted on kissing Emily. "Do you know what I have been doing?" she said. "I have been writing to Cecilia--directing to the care of her father, at the House of Commons. I stupidly forgot that you would be able to give me the right address in Switzerland. You don't object, I hope, to my making myself agreeable to our dear, beautiful, greedy girl? It is of such importance to me to surround myself with influential friends--and, of course, I have given her your love. Don't look disgusted! Come, and see your room.--Oh, never mind Miss Ladd. You will see her when she wakes. Ill? Is that sort of old woman ever ill? She's only taking her nap after bathing. Bathing in the sea, at her age! How she must frighten the fishes!"
Having seen her own bed-chamber, Emily was next introduced to the room occupied by Francine.
One object that she noticed in it caused her some little surprise--not unmingled with disgust. She discovered on the toilet-table a coarsely caricatured portrait of Mrs. Ellmother. It was a sketch in pencil--wretchedly drawn; but spitefully successful as a likeness. "I didn't know you were an artist," Emily remarked, with an ironical emphasis on the last word. Francine laughed scornfully--crumpled the drawing up in her hand--and threw it into the waste-paper basket.
"You satirical creature!" she burst out gayly. "If you had lived a dull life at St. Domingo, you would have taken to spoiling paper too. I might really have turned out an artist, if I had been clever and industrious like you. As it was, I learned a little drawing--and got tired of it. I tried modeling in wax--and got tired of it. Who do you think was my teacher? One of our slaves."
"A slave!" Emily exclaimed.
"Yes--a mulatto, if you wish me to be particular; the daughter of an English father and a negro mother. In her young time (at least she said so herself) she was quite a beauty, in her particular style. Her master's favorite; he educated her himself. Besides drawing and painting, and modeling in wax, she could sing and play--all the accomplishments thrown away on a slave! When her owner died, my uncle bought her at the sale of the property."
A word of natural compassion escaped Emily--to Francine's surprise.
"Oh, my dear, you needn't pity her! Sappho (that was her name) fetched a high price, even when she was no longer young. She came to us, by inheritance, with the estates and the rest of it; and took a fancy to me, when she found out I didn't get on well with my father and mother. 'I owe it to my father and mother,' she used to say, 'that I am a slave. When I see affectionate daughters, it wrings my heart.' Sappho was a strange compound. A woman with a white side to her character, and a black side. For weeks together, she would be a civilized being. Then she used to relapse, and become as complete a negress as her mother. At the risk of her life she stole away, on those occasions, into the interior of the island, and looked on, in hiding, at the horrid witchcrafts and idolatries of the blacks; they would have murdered a half-blood, prying into their ceremonies, if they had discovered her. I followed her once, so far as I dared. The frightful yellings and drummings in the darkness of the forests frightened me. The blacks suspected her, and it came to my ears. I gave her the warning that saved her life (I don't know what I should have done without Sappho to amuse me!); and, from that time, I do believe the curious creature loved me. You see I can speak generously even of a slave!"
"I wonder you didn't bring her with you to England," Emily said.
"In the first place," Francine answered, "she was my father's property, not mine. In the second place, she's dead. Poisoned, as the other half-bloods supposed, by some enemy among the blacks. She said herself, she was under a spell!"
"What did she mean?"
Francine was not interested enough in the subject to explain. "Stupid superstition, my dear. The negro side of Sappho was uppermost when she was dying--there is the explanation. Be off with you! I hear the old woman on the stairs. Meet her before she can come in here. My bedroom is my only refuge from Miss Ladd."
On the morning of the last day in the week, Emily had a little talk in private with her old schoolmistress. Miss Ladd listened to what she had to say of Mrs. Ellmother, and did her best to relieve Emily's anxieties. "I think you are mistaken, my child, in supposing that Francine is in earnest. It is her great fault that she is hardly ever in earnest. You can trust to my discretion; leave the rest to your aunt's old servant and to me."
Mrs. Ellmother arrived, punctual to the appointed time.