Jezebel's Daughter

Wilkie Collins


Jezebel's Daughter Page 27

A most liberal lady, isn't she, sir?"

"Liberal indeed, Joseph, considering the small services which you seem to have rendered to her. Are you quite sure that she doesn't expect something more of you?"

"Oh, quite sure, sir." He blushed as he said that--and rather hurriedly left the room. How would Frau Meyer have interpreted Joseph's blushes, and the widow's liberality? I went to bed without caring to pursue that question.

A lapse of two days more brought with it two interesting events: the opening night of a traveling opera company on a visit to Frankfort, and the arrival by a late post of our long-expected letters from London.

The partners (both of them ardent lovers of music) had taken a box for the short season, and, with their usual kindness, had placed a seat at my disposal. We were all three drinking our coffee before going to the theater, and Joseph was waiting on us, when the rheumatic old housekeeper brought in the letters, and handed them to me, as the person who sat nearest to the door.

"Why, my good creature, what has made you climb the stairs, when you might have rung for Joseph?" asked kind-hearted Mr. Engelman.

"Because I have got something to ask of my masters," answered crabbed Mother Barbara. "There are your letters, to begin with. Is it true that you are, all three of you, going to the theater to-night?"

She never used any of the ordinary terms of respect. If she had been their mother, instead of their housekeeper, she could not have spoken more familiarly to the two old gentlemen who employed her.

"Well," she went on, "my daughter is in trouble about her baby, and wants my advice. Teething, and convulsions, and that sort of thing. As you are all going out for the evening, you don't want me, after I have put your bedrooms tidy. I can go to my daughter for an hour or two, I suppose--and Joseph (who isn't of much use, heaven knows) can take care of the house.

Mr. Keller, refreshing his memory of the opera of the night (Gluck's "Armida") by consulting the book, nodded, and went on with his reading. Mr. Engelman said, "Certainly, my good soul; give my best wishes to your daughter for the baby's health." Mother Barbara grunted, and hobbled out of the room.

I looked at the letters. Two were for me--from my aunt and Fritz. One was for Mr. Keller--addressed also in the handwriting of my aunt. When I handed it to him across the table, he dropped "Armida" the moment he looked at the envelope. It was the answer to his remonstrance on the subject of the employment of women.

For Minna's sake, I opened Fritz's letter first. It contained the long-expected lines to his sweetheart. I went out at once, and, enclosing the letter in an envelope, sent Joseph away with it to the widow's lodgings before Mother Barbara's departure made it necessary for him to remain in the house.

Fritz's letter to me was very unsatisfactory. In my absence, London was unendurably dull to him, and Minna was more necessary to the happiness of his life than ever. He desired to be informed, by return of post, of the present place of residence of Madame Fontaine and her daughter. If I refused to comply with this request, he could not undertake to control himself, and he thought it quite likely that he might "follow his heart's dearest aspirations," and set forth on the journey to Frankfort in search of Minna.

My aunt's letter was full of the subject of Jack Straw.

In the first place she had discovered, while arranging her late husband's library, a book which had evidently suggested his ideas of reformation in the treatment of the insane. It was called, "Description of the Retreat, an institution near York for insane persons of the Society of Friends. Written by Samuel Tuke." She had communicated with the institution; had received the most invaluable help; and would bring the book with her to Frankfort, to be translated into German, in the interests of humanity. (1)

(1) Tuke's Description of the Retreat near York is reviewed by Sydney Smith in a number of the "Edinburgh Review," for 1814.

As for her merciful experiment with poor Jack, it had proved to be completely successful--with one serious drawback. So long as he was under her eye, and in daily communication with her, a more grateful, affectionate, and perfectly harmless creature never breathed the breath of life. Even Mr. Hartrey and the lawyer had been obliged to confess that they had been in the wrong throughout, in the view they had taken of the matter. But, when she happened to be absent from the house, for any length of time, it was not to be denied that Jack relapsed. He did nothing that was violent or alarming--he merely laid himself down on the mat before the door of her room, and refused to eat, drink, speak, or move, until she returned. He heard her outside the door, before anyone else was aware that she was near the house; and his joy burst out in a scream which did certainly recall Bedlam. That was the drawback, and the only drawback; and how she was to take the journey to Frankfort, which Mr. Keller's absurd remonstrance had rendered absolutely necessary, was more than my aunt's utmost ingenuity could thus far discover. Setting aside the difficulty of disposing of Jack, there was another difficulty, represented by Fritz. It was in the last degree doubtful if he could be trusted to remain in London in her absence. "But I shall manage it," the resolute woman concluded. "I never yet despaired of anything--and I don't despair now."

Returning to the sitting-room, when it was time to go to the theater, I found Mr. Keller with his temper in a flame, and Mr. Engelman silently smoking as usual.

"Read that!" cried Mr. Keller, tossing my aunt's reply to him across the table. "It won't take long."

It was literally a letter of four lines! "I have received your remonstrance. It is useless for two people who disagree as widely as we do, to write to each other. Please wait for my answer, until I arrive at Frankfort."

"Let's go to the music!" cried Mr. Keller. "God knows, I want a composing influence of some kind."

At the end of the first act of the opera, a new trouble exhausted his small stock of patience. He had been too irritated, on leaving the house, to remember his opera-glass; and he was sufficiently near-sighted to feel the want of it. It is needless to say that I left the theater at once to bring back the glass in time for the next act.

My instructions informed me that I should find it on his bedroom-table.

I thought Joseph looked confused when he opened the house-door to me. As I ran upstairs, he followed me, saying something. I was in too great a hurry to pay any attention to him.

Reaching the second floor by two stairs at a time, I burst into Mr. Keller's bedroom, and found myself face to face with--Madame Fontaine!

CHAPTER XVII

The widow was alone in the room; standing by the bedside table on which Mr. Keller's night-drink was placed. I was so completely taken by surprise, that I stood stock-still like a fool, and stared at Madame Fontaine in silence.

Wilkie Collins

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