Finding a piece of freehold land to be sold in the neighborhood of Fulham, he bought it, and had a cottage residence built on it, under his own directions. He surrounded the whole--being a man singularly jealous of any intrusion on his retirement, or of any chance observation of his ways and habits--with a high wall, which cost a large sum of money, and which was rightly considered a dismal and hideous object by the neighbors. When the new residence was completed, he called it after the name of the place in Staffordshire where he had made his money, and where he had lived during the happiest period of his life. His relatives, failing to understand that a question of sentiment was involved in this proceeding, appealed to hard facts, and reminded him that there were no salt mines in the neighborhood. Reuben Limbrick answered, "So much the worse for the neighborhood"--and persisted in calling his property, "Salt Patch."
The cottage was so small that it looked quite lost in the large garden all round it. There was a ground-floor and a floor above it--and that was all.
On either side of the passage, on the lower floor, were two rooms. At the right-hand side, on entering by the front-door, there was a kitchen, with its outhouses attached. The room next to the kitchen looked into the garden. In Reuben Limbrick's time it was called the study and contained a small collection of books and a large store of fishing-tackle. On the left-hand side of the passage there was a drawing-room situated at the back of the house, and communicating with a dining-room in the front. On the upper floor there were five bedrooms--two on one side of the passage, corresponding in size with the dining-room and the drawing-room below, but not opening into each other; three on the other side of the passage, consisting of one larger room in front, and of two small rooms at the back. All these were solidly and completely furnished. Money had not been spared, and workmanship had not been stinted. It was all substantial--and, up stairs and down stairs, it was all ugly.
The situation of Salt Patch was lonely. The lands of the market-gardeners separated it from other houses. Jealously surrounded by its own high walls, the cottage suggested, even to the most unimaginative persons, the idea of an asylum or a prison. Reuben Limbrick's relatives, occasionally coming to stay with him, found the place prey on their spirits, and rejoiced when the time came for going home again. They were never pressed to stay against their will. Reuben Limbrick was not a hospitable or a sociable man. He set very little value on human sympathy, in his attacks of illness; and he bore congratulations impatiently, in his intervals of health. "I care about nothing but fishing," he used to say. "I find my dog very good company. And I am quite happy as long as I am free from pain."
On his death-bed, he divided his money justly enough among his relations. The only part of his Will which exposed itself to unfavorable criticism, was a clause conferring a legacy on one of his sisters (then a widow) who had estranged herself from her family by marrying beneath her. The family agreed in considering this unhappy person as undeserving of notice or benefit. Her name was Hester Dethridge. It proved to be a great aggravation of Hester's offenses, in the eyes of Hester's relatives, when it was discovered that she possessed a life-interest in Salt Patch, and an income of two hundred a year.
Not visited by the surviving members of her family, living, literally, by herself in the world, Hester decided, in spite of her comfortable little income, on letting lodgings. The explanation of this strange conduct which she had written on her slate, in reply to an inquiry from Anne, was the true one. "I have not got a friend in the world: I dare not live alone." In that desolate situation, and with that melancholy motive, she put the house into an agent's hands. The first person in want of lodgings whom the agent sent to see the place was Perry the trainer; and Hester's first tenant was Geoffrey Delamayn.
The rooms which the landlady reserved for herself were the kitchen, the room next to it, which had once been her brother's "study," and the two small back bedrooms up stairs--one for herself, the other for the servant-girl whom she employed to help her. The whole of the rest of the cottage was to let. It was more than the trainer wanted; but Hester Dethridge refused to dispose of her lodgings--either as to the rooms occupied, or as to the period for which they were to be taken--on other than her own terms. Perry had no alternative but to lose the advantage of the garden as a private training-ground, or to submit.
Being only two in number, the lodgers had three bedrooms to choose from. Geoffrey established himself in the back-room, over the drawing-room. Perry chose the front-room, placed on the other side of the cottage, next to the two smaller apartments occupied by Hester and her maid. Under this arrangement, the front bedroom, on the opposite side of the passage--next to the room in which Geoffrey slept--was left empty, and was called, for the time being, the spare room. As for the lower floor, the athlete and his trainer ate their meals in the dining-room; and left the drawing-room, as a needless luxury, to take care of itself.
The Foot-Race once over, Perry's business at the cottage was at an end. His empty bedroom became a second spare room. The term for which the lodgings had been taken was then still unexpired. On the day after the race Geoffrey had to choose between sacrificing the money, or remaining in the lodgings by himself, with two spare bedrooms on his hands, and with a drawing-room for the reception of his visitors--who called with pipes in their mouths, and whose idea of hospitality was a pot of beer in the garden.
To use his own phrase, he was "out of sorts." A sluggish reluctance to face change of any kind possessed him. He decided on staying at Salt Patch until his marriage to Mrs. Glenarm (which he then looked upon as a certainty) obliged him to alter his habits completely, once for all. From Fulham he had gone, the next day, to attend the inquiry in Portland Place. And to Fulham he returned, when he brought the wife who had been forced upon him to her "home."
Such was the position of the tenant, and such were the arrangements of the interior of the cottage, on the memorable evening when Anne Silvester entered it as Geoffrey's wife.
CHAPTER THE FORTY-NINTH.
THE NIGHT.
ON leaving Lady Lundie's house, Geoffrey called the first empty cab that passed him. He opened the door, and signed to Anne to enter the vehicle. She obeyed him mechanically. He placed himself on the seat opposite to her, and told the man to drive to Fulham.
The cab started on its journey; husband and wife preserving absolute silence. Anne laid her head back wearily, and closed her eyes. Her strength had broken down under the effort which had sustained her from the beginning to the end of the inquiry. Her power of thinking was gone. She felt nothing, knew nothing, feared nothing. Half in faintness, half in slumber, she had lost all sense of her own terrible position before the first five minutes of the journey to Fulham had come to an end.
Sitting opposite to her, savagely self-concentrated in his own thoughts, Geoffrey roused himself on a sudden. An idea had sprung to life in his sluggish brain. He put his head out of the window of the cab, and directed the driver to turn back, and go to an hotel near the Great Northern Railway.
Resuming his seat, he looked furtively at Anne. She neither moved nor opened her eyes--she was, to all appearance, unconscious of what had happened. He observed her attentively. Was she really ill? Was the time coming when he would be freed from her? He pondered over that question--watching her closely. Little by little the vile hope in him slowly died away, and a vile suspicion took its place. What, if this appearance of illness was a pretense? What, if she was waiting to throw him off his guard, and escape from him at the first opportunity? He put his head out of the window again, and gave another order to the driver.