Anne followed her up the stairs. In the passage on the upper floor she stopped. The dull light flickered again for a moment in her eyes. She wrote on her slate, and held it up to Anne, with these words on it: "I knew you would come back. It's not over yet between you and him." Anne made no reply. She went on writing, with something faintly like a smile on her thin, colorless lips. "I know something of bad husbands. Yours is as bad a one as ever stood in shoes. He'll try you." Anne made an effort to stop her. "Don't you see how tired I am?" she said, gently. Hester Dethridge dropped the slate--looked with a steady and uncompassionate attention in Anne's face--nodded her head, as much as to say, "I see it now"--and led the way into one of the empty rooms.
It was the front bedroom, over the drawing-room. The first glance round showed it to be scrupulously clean, and solidly and tastelessly furnished. The hideous paper on the walls, the hideous carpet on the floor, were both of the best quality. The great heavy mahogany bedstead, with its curtains hanging from a hook in the ceiling, and with its clumsily carved head and foot on the same level, offered to the view the anomalous spectacle of French design overwhelmed by English execution. The most noticeable thing in the room was the extraordinary attention which had been given to the defense of the door. Besides the usual lock and key, it possessed two solid bolts, fastening inside at the top and the bottom. It had been one among the many eccentric sides of Reuben Limbrick's character to live in perpetual dread of thieves breaking into his cottage at night. All the outer doors and all the window shutters were solidly sheathed with iron, and had alarm-bells attached to them on a new principle. Every one of the bedrooms possessed its two bolts on the inner side of the door. And, to crown all, on the roof of the cottage was a little belfry, containing a bell large enough to make itself heard at the Fulham police station. In Reuben Limbrick's time the rope had communicated with his bedroom. It hung now against the wall, in the passage outside.
Looking from one to the other of the objects around her, Anne's eyes rested on the partition wall which divided the room from the room next to it. The wall was not broken by a door of communication, it had nothing placed against it but a wash-hand-stand and two chairs.
"Who sleeps in the next room?" said Anne.
Hester Dethridge pointed down to the drawing-room in which they had left Geoffrey, Geoffrey slept in the room.
Anne led the way out again into the passage.
"Show me the second room," she said.
The second room was also in front of the house. More ugliness (of first-rate quality) in the paper and the carpet. Another heavy mahogany bedstead; but, this time, a bedstead with a canopy attached to the head of it--supporting its own curtains. Anticipating Anne's inquiry, on this occasion, Hester looked toward the next room, at the back of the cottage, and pointed to herself. Anne at once decided on choosing the second room; it was the farthest from Geoffrey. Hester waited while she wrote the address at which her luggage would be found (at the house of the musical agent), and then, having applied for, and received her directions as to the evening meal which she should send up stairs, quitted the room.
Left alone, Anne secured the door, and threw herself on the bed. Still too weary to exert her mind, still physically incapable of realizing the helplessness and the peril of her position, she opened a locket that hung from her neck, kissed the portrait of her mother and the portrait of Blanche placed opposite to each other inside it, and sank into a deep and dreamless sleep.
Meanwhile Geoffrey repeated his final orders to the lad, at the cottage gate.
"When you have got the luggage, you are to go to the lawyer. If he can come here to-night, you will show him the way. If he can't come, you will bring me a letter from him. Make any mistake in this, and it will be the worst day's work you ever did in your life. Away with you, and don't lose the train."
The lad ran off. Geoffrey waited, looking after him, and turning over in his mind what had been done up to that time.
"All right, so far," he said to himself. "I didn't ride in the cab with her. I told her before witnesses I didn't forgive her, and why I had her in the house. I've put her in a room by herself. And if I must see her, I see her with Hester Dethridge for a witness. My part's done--let the lawyer do his."
He strolled round into the back garden, and lit his pipe. After a while, as the twilight faded, he saw a light in Hester's sitting-room on the ground-floor. He went to the window. Hester and the servant-girl were both there at work. "Well?" he asked. "How about the woman up stairs?" Hester's slate, aided by the girl's tongue, told him all about "the woman" that was to be told. They had taken up to her room tea and an omelet; and they had been obliged to wake her from a sleep. She had eaten a little of the omelet, and had drunk eagerly of the tea. They had gone up again to take the tray down. She had returned to the bed. She was not asleep--only dull and heavy. Made no remark. Looked clean worn out. We left her a light; and we let her be. Such was the report. After listening to it, without making any remark, Geoffrey filled a second pipe, and resumed his walk. The time wore on. It began to feel chilly in the garden. The rising wind swept audibly over the open lands round the cottage; the stars twinkled their last; nothing was to be seen overhead but the black void of night. More rain coming. Geoffrey went indoors.
An evening newspaper was on the dining-room table. The candles were lit. He sat down, and tried to read. No! There was nothing in the newspaper that he cared about. The time for hearing from the lawyer was drawing nearer and nearer. Reading was of no use. Sitting still was of no use. He got up, and went out in the front of the cottage--strolled to the gate--opened it--and looked idly up and down the road.
But one living creature was visible by the light of the gas-lamp over the gate. The creature came nearer, and proved to be the postman going his last round, with the last delivery for the night. He came up to the gate with a letter in his hand.
"The Honorable Geoffrey Delamayn?"
"All right."
He took the letter from the postman, and went back into the dining-room. Looking at the address by the light of the candles, he recognized the handwriting of Mrs. Glenarm. "To congratulate me on my marriage!" he said to himself, bitterly, and opened the letter.
Mrs. Glenarm's congratulations were expressed in these terms:
MY ADORED GEOFFREY,--I have heard all. My beloved one! my own! you are sacrificed to the vilest wretch that walks the earth, and I have lost you! How is it that I live after hearing it? How is it that I can think, and write, with my brain on fire, and my heart broken! Oh, my angel, there is a purpose that supports me--pure, beautiful, worthy of us both. I live, Geoffrey--I live to dedicate myself to the adored idea of You. My hero! my first, last, love! I will marry no other man. I will live and die--I vow it solemnly on my bended knees--I will live and die true to You. I am your Spiritual Wife. My beloved Geoffrey! she can't come between us, there--she can never rob you of my heart's unalterable fidelity, of my soul's unearthly devotion. I am your Spiritual Wife! Oh, the blameless luxury of writing those words! Write back to me, beloved one, and say you feel it too. Vow it, idol of my heart, as I have vowed it. Unalterable fidelity! unearthly devotion! Never, never will I be the wife of any other man! Never, never will I forgive the woman who has come between us! Yours ever and only; yours with the stainless passion that burns on the altar of the heart; yours, yours, yours--E. G."
This outbreak of hysterical nonsense--in itself simply ridiculous--assumed a serious importance in its effect on Geoffrey. It associated the direct attainment of his own interests with the gratification of his vengeance on Anne.