I was right. She came back to me unwillingly, like a woman acting under some influence which the utmost exertion of her will was powerless to resist.
"Do you believe John Jago is still a living man?"
She put the question vehemently, desperately, as if the words rushed out of her mouth in spite of her.
"I do not believe it," I answered.
"Remember what John Jago has suffered at the hands of my brothers," she persisted. "Is it not in your experience that he should take a sudden resolution to leave the farm?"
I replied, as plainly as before,
"It is not in my experience."
She stood looking at me for a moment with a face of blank despair; then bowed her gray head in silence, and left me. As she crossed the room to the door, I saw her look upward; and I heard her say to herself softly, between her teeth, "Vengeance is mine, I will repay, saith the Lord."
It was the requiem of John Jago, pronounced by the woman who loved him.
When I next saw her, her mask was on once more. Miss Meadowcroft was herself again. Miss Meadowcroft could sit by, impenetrably calm, while the lawyers discussed the terrible position of her brothers, with the scaffold in view as one of the possibilities of the "case."
Left by myself, I began to feel uneasy about Naomi. I went upstairs, and, knocking softly at her door, made my inquiries from outside. The clear young voice answered me sadly, "I am trying to bear it: I won't distress you when we meet again." I descended the stairs, feeling my first suspicion of the true nature of my interest in the American girl. Why had her answer brought the tears into my eyes? I went out, walking alone, to think undisturbedly. Why did the tones of her voice dwell on my ear all the way? Why did my hand still feel the last cold, faint pressure of her fingers when I led her out of court?
I took a sudden resolution to go back to England.
When I returned to the farm, it was evening. The lamp was not yet lighted in the hall. Pausing to accustom my eyes to the obscurity indoors, I heard the voice of the lawyer whom we had employed for the defense speaking to some one very earnestly.
"I'm not to blame," said the voice. "She snatched the paper out of my hand before I was aware of her."
"Do you want it back?" asked the voice of Miss Meadowcroft.
"No; it's only copy. If keeping it will help to quiet her, let her keep it by all means. Good evening."
Saying these last words, the lawyer approached me on his way out of the house. I stopped him without ceremony; I felt an ungovernable curiosity to know more.
"Who snatched the paper out of your hand?" I asked, bluntly.
The lawyer started. I had taken him by surprise. The instinct of professional reticence made him pause before he answered me.
In the brief interval of silence, Miss Meadowcroft replied to my question from the other end of the hall.
"Naomi Colebrook snatched the paper out of his hand."
"What paper?"
A door opened softly behind me. Naomi herself appeared on the threshold; Naomi herself answered my question.
"I will tell you," she whispered. "Come in here."
One candle only was burning in the room. I looked at her by the dim light. My resolution to return to England instantly became one of the lost ideas of my life.
"Good God!" I exclaimed, "what has happened now?"
She handed me the paper which she had taken from the lawyer's hand.
The "copy" to which he had referred was a copy of the written confession of Silas Meadowcroft on his return to prison. He accused his brother Ambrose of the murder of John Jago. He declared on his oath that he had seen his brother Ambrose commit the crime.
In the popular phrase, I could "hardly believe my own eyes." I read the last sentences of the confession for the second time:
"...I heard their voices at the limekiln. They were having words about Cousin Naomi. I ran to the place to part them. I was not in time. I saw Ambrose strike the deceased a terrible blow on the head with his (Ambrose's) heavy stick. The deceased dropped without a cry. I put my hand on his heart. He was dead. I was horribly frightened. Ambrose threatened to kill me next if I said a word to any living soul. He took up the body and cast it into the quicklime, and threw the stick in after it. We went on together to the wood. We sat down on a felled tree outside the wood. Ambrose made up the story that we were to tell if what he had done was found out. He made me repeat it after him, like a lesson. We were still at it when Cousin Naomi and Mr. Lefrank came up to us. They know the rest. This, on my oath, is a true confession. I make it of my own free-will, repenting me sincerely that I did not make it before."
(Signed)
"SILAS MEADOWCROFT."
I laid down the paper, and looked at Naomi once more. She spoke to me with a strange composure. Immovable determination was in her eye; immovable determination was in her voice.
"Silas has lied away his brother's life to save himself," she said. "I see cowardly falsehood and cowardly cruelty in every line on that paper. Ambrose is innocent, and the time has come to prove it."
"You forget," I said, "that we have just failed to prove it."
"John Jago is alive, in hiding from us and from all who know him," she went on. "Help me, friend Lefrank, to advertise for him in the newspapers."
I drew back from her in speechless distress. I own I believed that the new misery which had fallen on her had affected her brain.
"You don't believe it," she said. "Shut the door."
I obeyed her. She seated herself, and pointed to a chair near her.
"Sit down," she proceeded. "I am going to do a wrong thing; but there is no help for it. I am going to break a sacred promise. You remember that moonlight night when I met him on the garden walk?"
"John Jago?"
"Yes. Now listen. I am going to tell you what passed between John Jago and me."
CHAPTER IX.
THE ADVERTISEMENT.
I WAITED in silence for the disclosure that was now to come. Naomi began by asking me a question.
"You remember when we went to see Ambrose in the prison?" she said.