That is all. Shut up the shop, Samuel, my friend, for the night; and go to your supper. I wish you good appetite, nice victuals, and sound sleep."
Before Samuel could thank his master, the door was shut again. Before Sarah could say a word, Uncle Joseph's hand was on her lips, and Uncle Joseph's handkerchief was wiping away the tears that were now falling fast from her eyes.
"I will have no more talking, and no more crying," said the old man. "I am a German, and I glory in the obstinacy of six Englishmen, all rolled into one. To-night you sleep here, to-morrow we talk again of all this. You want me to help you with a word of advice. I will help you with myself, which is better than advice, and I say no more till I fetch my pipe down from the wall there, and ask him to make me think. I smoke and think to-night--I talk and do to-morrow. And you, you go up to bed; you take Uncle Max's music box in your hand, and you let Mozart sing the cradle song before you go to sleep. Yes, yes, my child, there is always comfort in Mozart--better comfort than in crying. What is there to cry about, or to thank about? Is it so great a wonder that I will not let my sister's child go alone to make a venture in the dark? I said Sarah's sorrow was my sorrow, and Sarah's joy my joy; and now, if there is no way of escape--if it must indeed be done--I also say: Sarah's risk to-morrow is Uncle Joseph's risk to-morrow, too! Good-night, my child--good-night."
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CHAPTER II.
OUTSIDE THE HOUSE.
THE next morning wrought no change in the resolution at which Uncle Joseph had arrived overnight. Out of the amazement and confusion produced in his mind by his niece's avowal of the object that had brought her to Cornwall, he had contrived to extract one clear and definite conclusion--that she was obstinately bent on placing herself in a situation of uncertainty, if not of absolute peril. Once persuaded of this, his kindly instincts all sprang into action, his natural firmness on the side of self-sacrifice asserted itself; and his determination not to let Sarah proceed on her journey alone, followed as a matter of course.
Strong in the self-denying generosity of his purpose--though strong in nothing else--when he and his niece met in the morning, and when Sarah spoke self-reproachfully of the sacrifice that he was making, of the serious hazards to which he was exposing himself for her sake, he refused to listen to her just as obstinately as he had refused the previous night. There was no need, he said, to speak another word on that subject. If she had abandoned her intention of going to Porthgenna, she had only to say so. If she had not, it was mere waste of breath to talk any more, for he was deaf in both ears to everything in the shape of a remonstrance that she could possibly address to him. Having expressed himself in these uncompromising terms, Uncle Joseph abruptly dismissed the subject, and tried to turn the conversation to a cheerful every-day topic by asking his niece how she had passed the night.
"I was too anxious to sleep," she answered. "I can't fight with my fears and misgivings as some people can. All night long they keep me waking and thinking as if it was day."
"Thinking about what?" asked Uncle Joseph. "About the letter that is hidden? about the house of Porthgenna? about the Myrtle Room?"
"About how to get into the Myrtle Room," she said. "The more I try to plan and ponder, and settle beforehand what I shall do, the more confused and helpless I seem to be. All last night, uncle, I was trying to think of some excuse for getting inside the doors of Porthgenna Tower--and yet, if I was standing on the house-step at this moment, I should not know what to say when the servant and I first came face to face. How are we to persuade them to let us in? How am I to slip out of sight, even if we do get in? Can't you tell me?--you will try, Uncle Joseph--I am sure you will try. Only help me so far, and I think I can answer for the rest. If they keep the keys when they used to keep them in my time, ten minutes to myself is all I should want--ten minutes, only ten short minutes, to make the end of my life easier to me than the beginning has been; to help me to grow old quietly and resignedly, if it is God's will that I should live out my years. Oh, how happy people must be who have all the courage they want; who are quick and clever, and have their wits about them! You are readier than I am, uncle; you said last night that you would think about how to advise me for the best--what did your thoughts end in? You will make me so much easier if you will only tell me that."
Uncle Joseph nodded assentingly, assumed a look of the profoundest gravity, and slowly laid his forefinger along the side of his nose.
"What did I promise you last night?" he said. "Was it not to take my pipe, and ask him to make me think? Good, I smoke three pipes, and think three thoughts. My first thought is--Wait! My second thought is again--Wait! My third thought is yet once more--Wait! You say you will be easy, Sarah, if I tell you the end of all my thoughts. Good, I have told you. There is the end--you are easy--it is all right."
"Wait?" repeated Sarah, with a look of bewilderment which suggested anything rather than a mind at ease. "I am afraid, uncle, I don't quite understand. Wait for what? Wait till when?"
"Wait till we arrive at the house, to be sure! Wait till we are got outside the door; then is time enough to think how we are to get in," said Uncle Joseph, with an air of conviction. "You understand now?"
"Yes--at least I understand better than I did. But there is still another difficulty left. Uncle! I must tell you more than I intended ever to tell anybody--I must tell you that the letter is locked up."
"Locked up in a room?"
"Worse than that--locked up in something inside the room. The key that opens the door--even if I get it--the key that opens the door of the room is not all I want. There is another key besides that, a little key--" She stopped, with a confused, startled look.
"A little key that you have lost?" asked Uncle Joseph.
"I threw it down the well in the village on the morning when I made my escape from Porthgenna. Oh, if I had only kept it about me! If it had only crossed my mind that I might want it again!"
"Well, well; there is no help for that now. Tell me, Sarah, what the something is which the letter is hidden in."
"I am afraid of the very walls hearing me."
"What nonsense! Come! whisper it to me."
She looked all round her distrustfully, and then whispered into the old man's ear. He listened eagerly, and laughed when she was silent again. "Bah!" he cried. "If that is all, make yourself happy. As you wicked English people say, it is as easy as lying. Why, my child, you can burst him open for yourself."
"Burst it open? how?"
Uncle Joseph went to the window-seat, which was made on the old-fashioned plan, to serve the purpose of a chest as well as a seat. He opened the lid, searched among some tools which lay in the receptacle beneath, and took out a chisel. "See," he said, demonstrating on the top of the window-seat the use to which the tool was to be put. "You push him in so--crick! Then you pull him up so--crack! It is the business of one little moment--crick! crack!--and the lock is done for. Take the chisel yourself; wrap him up in a bit of that stout paper there, and put him in your pocket What are you waiting for? Do you want me to show you again, or do you think you can do it now for yourself?"
"I should like you to show me again, Uncle Joseph, but not now--not till we have got to the end of our journey."
"Good. Then I may finish my packing up, and go ask about the coach. First and foremost, Mozart must put on his great coat, and travel with us." He took up the musical box, and placed it carefully in a leather case, which he slung by a strap over one shoulder. "Next, there is my pipe, the tobacco to feed him with, and the matches to set him alight. Last, here is my old German knapsack, which I pack last night.