The Guilty River

Wilkie Collins


The Guilty River Page 24

"Tell me why I ought to break my engagement," I said.

"Remember what I told you at the spring," she answered. "You are deceived by a false friend who lies to you and hates you."

The man she was speaking of turned the corner of the new cottage. He waved his hand gaily, and approached us along the road.

"Go!" she said. "Your guardian angel has forgotten you. It's too late now."

Instead of letting me precede her, as I had anticipated, she ran on before me--made a sign to the deaf man, as she passed him, not to stop her--and disappeared through the open door of her father's side of the cottage.

I was left to decide for myself. What should I have done, if I had been twenty years older?

Say that my moral courage would have risen superior to the poorest of all fears, the fear of appearing to be afraid, and that I should have made my excuses to my host of the evening--how would my moral courage have answered him, if he had asked for an explanation? Useless to speculate on it! Had I possessed the wisdom of middle life, his book of leaves would not have told him, in my own handwriting, that I believed in his better nature, and accepted his friendly letter in the spirit in which he had written

Explain it who can--I knew that I was going to drink tea with him, and yet I was unwilling to advance a few steps, and meet him on the road!

"I find a new bond of union between us," he said, as he joined me. "We both feel that." He pointed to the grandly darkening view. "The two men who could have painted the mystery of those growing shadows and fading lights, lie in the graves of Rembrandt and Turner. Shall we go to tea?"

On our way to his room we stopped at the miller's door.

"Will you inquire," he said, "if Miss Cristel is ready?"

I went in. Old Toller was in the kitchen, smoking his pipe without appearing to enjoy it.

"What's come to my girl?" he asked, the moment he saw me. "Yesterday she was in her room, crying. To-day she's in her room, praying."

The warnings which I had neglected rose in judgment against me. I was silent; I was awed. Before I recovered myself, Cristel entered the kitchen. Her father whispered, "Look at her!"

Of the excitement which had disturbed--I had almost said, profaned--her beautiful face, not a vestige remained. Pale, composed, resolute, she said, "I am ready," and led the way out.

The man whom she hated offered his arm. She took it!

CHAPTER XIII

THE CLARET JUG

I perceived but one change in the Lodger's miserable room, since I had seen it last.

A second table was set against one of the walls. Our boiling water for the tea was kept there, in a silver kettle heated by a spirit-lamp. I next observed a delicate little china vase which held the tea, and a finely-designed glass claret jug, with a silver cover. Other men, possessing that beautiful object, would have thought it worthy of the purest Bordeaux wine which the arts of modern adulteration permit us to drink. This man had filled the claret jug with water.

"All my valuable property, ostentatiously exposed to view," he said, in his bitterly facetious manner. "My landlord's property matches it on the big table."

The big table presented a coarse earthenware teapot; cups and saucers with pieces chipped out of them; a cracked milk jug; a tumbler which served as a sugar basin; and an old vegetable dish, honored by holding delicate French sweet-meats for the first time since it had left the shop.

My deaf friend, in boisterously good spirits, pointed backwards and forwards between the precious and the worthless objects on the two tables, as if he saw a prospect that delighted him.

"I don't believe the man lives," he said, "who enjoys Contrast as I do.--What do you want now?"

This question was addressed to Gloody, who had just entered the room. He touched the earthenware teapot. His master answered: "Let it alone."

"I make the tea at other times," the man persisted, looking at me.

"What does he say? Write it down for me, Mr. Roylake. I beg you will write it down."

There was anger in his eyes as he made that request. I took his book, and wrote the words--harmless words, surely? He read them, and turned savagely to his unfortunate servant.

"In the days when you were a ruffian in the prize-ring, did the other men's fists beat all the brains out of your head? Do you think you can make tea that is fit for Mr. Roylake to drink?"

He pointed to an open door, communicating with another bedroom. Gloody's eyes rested steadily on Cristel: she failed to notice him, being occupied at the moment in replacing the pin of a brooch which had slipped out of her dress. The man withdrew into the second bedroom, and softly closed the door.

Our host recovered his good humor. He took a wooden stool, and seated himself by Cristel.

"Borrowed furniture," he said, "as well as borrowed tea-things. What a debt of obligation I owe to your excellent father. How quiet you are, dear girl. Do you regret having followed the impulse which made you kindly offer to drink tea with us?" He suddenly turned to me. "Another proof, Mr. Roylake, of the sisterly interest that she feels in you; she can't hear of your coming to my room, without wanting to be with you. Ah, you possess the mysterious attractions which fascinate the sex. One of these days, some woman will love you as never man was loved yet." He addressed himself again to Cristel. "Still out of spirits? I dare say you are tired of waiting for your tea. No? You have had tea already? It's Gloody's fault; he ought to have told me that seven o'clock was too late for you. The poor devil deserved that you should take no notice of him when he looked at you just now. Are you one of the few women who dislike an ugly man? Women in general, I can tell you, prefer ugly men. A handsome man matches them on their own ground, and they don't like that. 'We are so fond of our ugly husbands; they set us off to such advantage.' Oh, I don't report what they say; I speak the language in which they think.--Mr. Roylake, does it strike you that the Cur is a sad cynic? By-the-by, do you call me 'the Cur' (as I suggested) when you speak of me to other people--to Miss Cristel, for instance? My charming young friends, you both look shocked; you both shake your heads. Perhaps I am in one of my tolerant humors to-day; I see nothing disgraceful in being a Cur. He is a dog who represents different breeds. Very well, the English are a people who represent different breeds: Saxons, Normans, Danes. The consequence, in one case, is a great nation. The consequence, in the other case, is the cleverest member of the whole dog family--as you may find out for yourself if you will only teach him. Ha--how I am running on. My guests try to slip in a word or two, and can't find their opportunity. Enjoyment, Miss Cristel. Excitement, Mr. Roylake. For more than a year past, I have not luxuriated in the pleasures of society. I feel the social glow; I love the human family; I never, never, never was such a good man as I am now. Let vile slang express my emotions: isn't it jolly?"

Cristel and I stopped him, at the same moment.

Wilkie Collins

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Adelaide Ann Procter