The Moonstone

Wilkie Collins


The Moonstone Page 68

Mind this! HE doesn't know-- he never will know, what I have told you. I will never see him-- I don't care what happens--I will never, never, never see him again! Don't ask me his name! Don't ask me any more! Let's change the subject. Are you doctor enough, Godfrey, to tell me why I feel as if I was stifling for want of breath? Is there a form of hysterics that bursts into words instead of tears? I dare say! What does it matter? You will get over any trouble I have caused you, easily enough now. I have dropped to my right place in your estimation, haven't I? Don't notice me! Don't pity me! For God's sake, go away!"

She turned round on a sudden, and beat her hands wildly on the back of the ottoman. Her head dropped on the cushions; and she burst out crying. Before I had time to feel shocked, at this, I was horror-struck by an entirely unexpected proceeding on the part of Mr. Godfrey. Will it be credited that he fell on his knees at her feet.?--on BOTH knees, I solemnly declare! May modesty mention that he put his arms round her next? And may reluctant admiration acknowledge that he electrified her with two words?

"Noble creature!"

No more than that! But he did it with one of the bursts which have made his fame as a public speaker. She sat, either quite thunderstruck, or quite fascinated--I don't know which--without even making an effort to put his arms back where his arms ought to have been. As for me, my sense of propriety was completely bewildered. I was so painfully uncertain whether it was my first duty to close my eyes, or to stop my ears, that I did neither. I attribute my being still able to hold the curtain in the right position for looking and listening, entirely to suppressed hysterics. In suppressed hysterics, it is admitted, even by the doctors, that one must hold something.

"Yes," he said, with all the fascination of his evangelical voice and manner, "you are a noble creature! A woman who can speak the truth, for the truth's own sake--a woman who will sacrifice her pride, rather than sacrifice an honest man who loves her--is the most priceless of all treasures. When such a woman marries, if her husband only wins her esteem and regard, he wins enough to ennoble his whole life. You have spoken, dearest, of your place in my estimation. Judge what that place is--when I implore you on my knees, to let the cure of your poor wounded heart be my care. Rachel! will you honour me, will you bless me, by being my wife?"

By this time I should certainly have decided on stopping my ears, if Rachel had not encouraged me to keep them open, by answering him in the first sensible words I had ever heard fall from her lips.

"Godfrey!" she said, "you must be mad!"

"I never spoke more reasonably, dearest--in your interests, as well as in mine. Look for a moment to the future. Is your happiness to be sacrificed to a man who has never known how you feel towards him, and whom you are resolved never to see again? Is it not your duty to yourself to forget this ill-fated attachment? and is forgetfulness to be found in the life you are leading now? You have tried that life, and you are wearying of it already. Surround yourself with nobler interests than the wretched interests of the world. A heart that loves and honours you; a home whose peaceful claims and happy duties win gently on you day by day-- try the consolation, Rachel, which is to be found THERE! I don't ask for your love--I will be content with your affection and regard. Let the rest be left, confidently left, to your husband's devotion, and to Time that heals even wounds as deep as yours."

She began to yield already. Oh, what a bringing-up she must have had! Oh, how differently I should have acted in her place!

"Don't tempt me, Godfrey," she said; "I am wretched enough and reckless enough as it is. Don't tempt me to be more wretched and more wreckless still!"

"One question, Rachel. Have you any personal objection to me?"

"I! I always liked you. After what you have just said to me, I should be insensible indeed if I didn't respect and admire you as well."

"Do you know many wives, my dear Rachel, who respect and admire their husbands? And yet they and their husbands get on very well. How many brides go to the altar with hearts that would bear inspection by the men who take them there? And yet it doesn't end unhappily-- somehow or other the nuptial establishment jogs on. The truth is, that women try marriage as a Refuge, far more numerously than they are willing to admit; and, what is more, they find that marriage has justified their confidence in it. Look at your own case once again. At your age, and with your attractions, is it possible for you to sentence yourself to a single life? Trust my knowledge of the world-- nothing is less possible. It is merely a question of time. You may marry some other man, some years hence. Or you may marry the man, dearest, who is now at your feet, and who prizes your respect and admiration above the love of any other woman on the face of the earth."

"Gently, Godfrey! you are putting something into my head which I never thought of before. You are tempting me with a new prospect, when all my other prospects are closed before me. I tell you again, I am miserable enough and desperate enough, if you say another word, to marry you on your own terms. Take the warning, and go!"

"I won't even rise from my knees, till you have said yes!"

"If I say yes you will repent, and I shall repent, when it is too late!"

"We shall both bless the day, darling, when I pressed, and when you yielded."

"Do you feel as confidently as you speak?"

"You shall judge for yourself. I speak from what I have seen in my own family. Tell me what you think of our household at Frizinghall. Do my father and mother live unhappily together?"

"Far from it--so far as I can see."

"When my mother was a girl, Rachel (it is no secret in the family), she had loved as you love--she had given her heart to a man who was unworthy of her. She married my father, respecting him, admiring him, but nothing more. Your own eyes have seen the result. Is there no encouragement in it for you and for me?" *

* See Betteredge's Narrative, chapter viii.

"You won't hurry me, Godfrey?"

"My time shall be yours."

"You won't ask me for more than I can give?"

"My angel! I only ask you to give me yourself."

"Take me!"

In those two words she accepted him!

He had another burst--a burst of unholy rapture this time. He drew her nearer and nearer to him till her face touched his; and then--No! I really cannot prevail upon myself to carry this shocking disclosure any farther. Let me only say, that I tried to close my eyes before it happened, and that I was just one moment too late. I had calculated, you see, on her resisting. She submitted. To every right-feeling person of my own sex, volumes could say no more.

Even my innocence in such matters began to see its way to the end of the interview now. They understood each other so thoroughly by this time, that I fully expected to see them walk off together, arm in arm, to be married. There appeared, however, judging by Mr. Godfrey's next words, to be one more trifling formality which it was necessary to observe. He seated himself--unforbidden this time-- on the ottoman by her side. "Shall I speak to your dear mother?" he asked. "Or will you?"

She declined both alternatives.

"Let my mother hear nothing from either of us, until she is better. I wish it to be kept a secret for the present, Godfrey. Go now, and come back this evening. We have been here alone together quite long enough."

She rose, and in rising, looked for the first time towards the little room in which my martyrdom was going on.

"Who has drawn those curtains?" she exclaimed.

"The room is close enough, as it is, without keeping the air out of it in that way."

She advanced to the curtains. At the moment when she laid her hand on them-- at the moment when the discovery of me appeared to be quite inevitable-- the voice of the fresh-coloured young footman, on the stairs, suddenly suspended any further proceedings on her side or on mine. It was unmistakably the voice of a man in great alarm.

Wilkie Collins

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