The Queen of Hearts

Wilkie Collins


The Queen of Hearts Page 45

By the time my watch informed me that I must have nearly walked my appointed distance, the view was bounded on all sides and the sky was shut out overhead by an impervious screen of leaves and branches. I still followed my only guide, the steep path; and in ten minutes, emerging suddenly on a plot of tolerably clear and level ground, I saw the convent before me.

It was a dark, low, sinister-looking place. Not a sign of life or movement was visible anywhere about it. Green stains streaked the once white facade of the chapel in all directions. Moss clustered thick in every crevice of the heavy scowling wall that surrounded the convent. Long lank weeds grew out of the fissures of roof and parapet, and, drooping far downward, waved wearily in and out of the barred dormitory windows. The very cross opposite the entrance-gate, with a shocking life-sized figure in wood nailed to it, was so beset at the base with crawling creatures, and looked so slimy, green, and rotten all the way up, that I absolutely shrank from it.

A bell-rope with a broken handle hung by the gate. I approached it--hesitated, I hardly knew why--looked up at the convent again, and then walked round to the back of the building, partly to gain time to consider what I had better do next, partly from an unaccountable curiosity that urged me, strangely to myself, to see all I could of the outside of the place before I attempted to gain admission at the gate.

At the back of the convent I found an outhouse, built on to the wall--a clumsy, decayed building, with the greater part of the roof fallen in, and with a jagged hole in one of its sides, where in all probability a window had once been. Behind the outhouse the trees grew thicker than ever. As I looked toward them I could not determine whether the ground beyond me rose or fell--whether it was grassy, or earthy, or rocky. I could see nothing but the all-pervading leaves, brambles, ferns, and long grass.

Not a sound broke the oppressive stillness. No bird's note rose from the leafy wilderness around me; no voices spoke in the convent garden behind the scowling wall; no clock struck in the chapel-tower; no dog barked in the ruined outhouse. The dead silence deepened the solitude of the place inexpressibly. I began to feel it weighing on my spirits--the more, because woods were never favorite places with me to walk in. The sort of pastoral happiness which poets often represent when they sing of life in the woods never, to my mind, has half the charm of life on the mountain or in the plain. When I am in a wood, I miss the boundless loveliness of the sky, and the delicious softness that distance gives to the earthly view beneath. I feel oppressively the change which the free air suffers when it gets imprisoned among leaves, and I am always awed, rather than pleased, by that mysterious still light which shines with such a strange dim luster in deep places among trees. It may convict me of want of taste and absence of due feeling for the marvelous beauties of vegetation, but I must frankly own that I never penetrate far into a wood without finding that the getting out of it again is the pleasantest part of my walk--the getting out on to the barest down, the wildest hill-side, the bleakest mountain top--the getting out anywhere, so that I can see the sky over me and the view before me as far as my eye can reach.

After such a confession as I have now made, it will appear surprising to no one that I should have felt the strongest possible inclination, while I stood by the ruined outhouse, to retrace my steps at once, and make the best of my way out of the wood. I had, indeed, actually turned to depart, when the remembrance of the er rand which had brought me to the convent suddenly stayed my feet. It seemed doubtful whether I should be admitted into the building if I rang the bell; and more than doubtful, if I were let in, whether the inhabitants would be able to afford me any clew to the information of which I was in search. However, it was my duty to Monkton to leave no means of helping him in his desperate object untried; so I resolved to go round to the front of the convent again, and ring at the gate-bell at all hazards.

By the merest chance I looked up as I passed the side of the outhouse where the jagged hole was, and noticed that it was pierced rather high in the wall.

As I stopped to observe this, the closeness of the atmosphere in the wood seemed to be affecting me more unpleasantly than ever.

I waited a minute and untied my cravat.

Closeness? surely it was something more than that. The air was even more distasteful to my nostrils than to my lungs. There was some faint, indescribable smell loading it--some smell of which I had never had any previous experience--some smell which I thought (now that my attention was directed to it) grew more and more certainly traceable to its source the nearer I advanced to the outhouse,

By the time I had tried the experiment two or three times, and had made myself sure of this fact, my curiosity became excited. There were plenty of fragments of stone and brick lying about me. I gathered some of them together, and piled them up below the hole, then mounted to the top, and, feeling rather ashamed of what I was doing, peeped into the outhouse.

The sight of horror that met my eyes the instant I looked through the hole is as present to my memory now as if I had beheld it yesterday. I can hardly write of it at this distance of time without a thrill of the old terror running through me again to the heart.

The first impression conveyed to me, as I looked in, was of a long, recumbent object, tinged with a lightish blue color all over, extended on trestles, and bearing a certain hideous, half-formed resemblance to the human face and figure. I looked again, and felt certain of it. There were the prominences of the forehead, nose, and chin, dimly shown as under a veil--there, the round outline of the chest and the hollow below it--there, the points of the knees, and the stiff, ghastly, upturned feet. I looked again, yet more attentively. My eyes got accustomed to the dim light streaming in through the broken roof, and I satisfied myself, judging by the great length of the body from head to foot, that I was looking at the corpse of a man--a corpse that had apparently once had a sheet spread over it, and that had lain rotting on the trestles under the open sky long enough for the linen to take the livid, light-blue tinge of mildew and decay which now covered it.

How long I remained with my eyes fixed on that dread sight of death, on that tombless, terrible wreck of humanity, poisoning the still air, and seeming even to stain the faint descending light that disclosed it, I know not. I remember a dull, distant sound among the trees, as if the breeze were rising--the slow creeping on of the sound to near the place where I stood--the noiseless whirling fall of a dead leaf on the corpse below me, through the gap in the outhouse roof--and the effect of awakening my energies, of relaxing the heavy strain on my mind, which even the slight change wrought in the scene I beheld by the falling leaf produced in me immediately.

Wilkie Collins

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